Boris Berman (1948) Russian/American musician
Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev: His Life and the Evolution of His Musical Language
"The Folk Songs of Hungary" in Pro Musica VII (October 1928)
Context: Our peasant music, naturally, is invariably tonal, if not always in the sense that the inflexible major and minor system is tonal. (An "atonal" folk-music, in my opinion, is unthinkable.) Since we depend upon a tonal basis of this kind in our creative work, it is quite self-evident that our works are quite pronouncedly tonal in type. I must admit, however, that there was a time when I thought I was approaching a species of twelve-tone music. Yet even in works of that period the absolute tonal foundation is unmistakable.
Boris Berman (1948) Russian/American musician
Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev: His Life and the Evolution of His Musical Language
“Music is the tonal analogue of emotive life.”
Susanne K. Langer (1895–1985) American philosopher
Feeling and Form, ch. 1, p. 27, Scribner (1953)
Charles Rosen (1927–2012) American pianist and writer on music
Source: The Romantic Generation (1995), Ch. 4 : Formal Interlude
“I don't think that American audiences would accept the tonal character of my music.”
Akira Ifukube (1914–2006) Japanese composer
As quoted by David Milner, "Akira Ifukube Interview I" http://www.davmil.org/www.kaijuconversations.com/ifukub.htm, Kaiju Conversations (December 1992)
Alban Berg (1885–1935) Austrian composer
Quoted in Reich, Willi (1971). Schoenberg: A Critical Biography, p. 34. Translated by Leo Black.
Romantische Harmonik und ihre Krise in Wagners Tristan (1920), p. 273.
Charles Rosen (1927–2012) American pianist and writer on music
Part I. Introduction. 1. The Musical Language of the Late Eighteenth Century
Classical Style: Haydn, Mozart, Beethoven (Expanded edition, 1997)
M.J. Akbar (1951) journalist, author
Illustrated Weekly of India, 22/12/1990. Quoted from Elst, Koenraad (1991). Ayodhya and after: Issues before Hindu society.
Susan McClary (1946) American musicologist
McClary, Susan (1991). Feminine Endings: Music, Gender, and Sexuality. Minnesota: University of Minnesota Press. ISBN 0816618984.
Albert Marquet (1875–1947) French artist
As quoted by J. E. Müller, Le Fauvisme, Paris, Hazan, 1956, p. 92