
Our brain functions as a highly creative ‘camera obscura’ – the forerunner of the modern photographic camera, named from the Latin for dark room.
Amazing Visual Illusions: Trick Your Mind and Feast Your Eyes (2011).
Part 2, Ch. 21
The Woman in the Dunes (1962)
Our brain functions as a highly creative ‘camera obscura’ – the forerunner of the modern photographic camera, named from the Latin for dark room.
Amazing Visual Illusions: Trick Your Mind and Feast Your Eyes (2011).
" The Cow in Apple-Time http://www.poemhunter.com/poem/cow-in-apple-time-the/"
1910s
As quoted in Wordcatcher : An Odyssey into the World of Weird and Wonderful Words (2010), by Phil Cousineau, p. 219.
1960s, The Role of the Behavioral Scientist in the Civil Rights Movement (1967)
http://www.escapistmagazine.com/articles/view/columns/extra-punctuation/9768-What-Not-to-Hate-About-E3.2
Other Articles
As quote in Coast Magazine, Jim Wood, “Interview—Judge James P. Gray—The Newport Beach resident talks about America's War on Drugs” (June 2001) Vol.10 No. 7
Source: The Economic Illusion (1984), Chapter 2, Capital, p. 51
Dostoievsky’s barrack vows of “improvement” now appeared to him as a sacrilege. He experience which he underwent was much the same as Luther’s when he remembered with such unfeigned horror and disgust the vows which he had pronounced on entering the convent. P. 10
Source: In Job's Balances: on the sources of the eternal truths, The Conquest of the Self-Evident; Dostoievsky’s Philosophy
1850s, Speech on the Dred Scott Decision (1857)
Context: In those days, as I understand, masters could, at their own pleasure, emancipate their slaves; but since then, such legal restraints have been made upon emancipation, as to amount almost to prohibition. In those days, Legislatures held the unquestioned power to abolish slavery in their respective States; but now it is becoming quite fashionable for State Constitutions to withhold that power from the Legislatures. In those days, by common consent, the spread of the black man's bondage to new countries was prohibited; but now, Congress decides that it will not continue the prohibition, and the Supreme Court decides that it could not if it would. In those days, our Declaration of Independence was held sacred by all, and thought to include all; but now, to aid in making the bondage of the negro universal and eternal, it is assailed, and sneered at, and construed, and hawked at, and torn, till, if its framers could rise from their graves, they could not at all recognize it. All the powers of earth seem rapidly combining against him. Mammon is after him; ambition follows, and philosophy follows, and the Theology of the day is fast joining the cry. They have him in his prison house; they have searched his person, and left no prying instrument with him. One after another they have closed the heavy iron doors upon him, and now they have him, as it were, bolted in with a lock of a hundred keys, which can never be unlocked without the concurrence of every key; the keys in the hands of a hundred different men, and they scattered to a hundred different and distant places; and they stand musing as to what invention, in all the dominions of mind and matter, can be produced to make the impossibility of his escape more complete than it is. It is grossly incorrect to say or assume, that the public estimate of the negro is more favorable now than it was at the origin of the government.
“Pictures deface walls more often than they decorate them.”
This is only a slightly misquoted version of "Pictures deface walls oftener than they decorate them", written by Frank Lloyd Wright in the magazine Architectural Record in March 1908.
Misattributed