“My dear Sensier, - I shall be greatly obliged if after reading and sealing the enclosed letter, you will take it to Rue du Delta, No. 8. [Paris].... Jaque [common friend and painter] and I have settled to stay here [ Barbizon ] for some time, and have accordingly each of us taken rooms. The prices are excessively low compared to those in Paris; and as it is easy to get to town if necessary, and the country is superbly beautiful, we hope to work more quietly here, and perhaps do better things. In fact, we intend to spend some time here... I wish you good-bye, with many hearty embraces. Jacque sends you warm remembrances, and will answer your letter tomorrow.”

— Jean-François Millet

Quote from Millet's first letter to fr:Alfred_Sensier, from Barbizon, 28 June 1849; as cited by Julia Cartwright in Jean Francois Millet, his Life and Letters, Swan Sonnenschein en Co, Lim. London / The Macmillian Company, New York; second edition, September 1902, p. 95
1835 - 1850

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Jean-François Millet 12

French painter 1814–1875

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“The work in question, painting the peasants, is such laborious work that the extremely weak would never even embark on it. And I have at least embarked on it... And I've grasped some solid and useful things in drawing and in painting, more firmly than you think, my dear friend. But I keep on making what I can't do yet in order to learn to be able to do it... We have in common with each other that we seek our subjects in the heart of the people, and then we have in common a need — either as an objective or as a means — to take our studies from reality.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

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“One is too taken up with all that one sees and hears in Paris, however strong one is, and what I do here will at least have the merit of being unlike anyone else, at least I believe so, because it will simply be the expression of what I, and only I have felt. The further I get, the more I regret how little I know, that's what hinders me the most... I don't think I will spend much time in Paris now, a month at the very most, each year.”

Claude Monet (1840–1926) French impressionist painter

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“Soldiers — You are about to return to your homes and your friends, after having, as I learn, performed in camp a comparatively short term of duty in this great contest. I am greatly obliged to you, and to all who have come forward at the call of their country.”

Abraham Lincoln (1809–1865) 16th President of the United States

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“How I miss you here [his friend in Paris - Manet visited Madrid and the famous museums there], and how delighted you would have been to see Velázquez, who in himself alone is worth the journey... He is the painter of painters. He did not astonish me, but delighted me.”

Edouard Manet (1832–1883) French painter

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“My Carmen," I said (I used to call her that sometimes) "we shall leave this raw sore town as soon as you get out of bed."
"… Because, really," I continued, "there is no point in staying here."
"There is no point in staying anywhere," said Lolita.”

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Source: Lolita

“Shall I tell you what I have seen in Venice? Right – here goes. Take a boat along the Seine to the Quai des Orfevres, or opposite the Tuileries [Paris] and you will see Venice. For the Museums, go to the Louvre, For Veronese, go to the Louvre,- but not for Tiepolo, whom I didn't know; only it is a bit dear at the price. No – that isn't true; it is very, very beautiful, when the weather is fine. The lagoon and San Marco – splendid; the Doges' palace, splendid. As for the rest, I'd rather have Saint German l'Auxerrois.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

Source: 1880's, Renoir – his life and work, 1975, p. 159-160 : in a letter to madame Charpentier, Autumn 1881

“Dear Rainer Maria Rilke
I thank you for saying that you rather like my painting of 'the little child'... You have brought me the first touch of Paris with this phrase of yours about 'liking and approving', and that alone is a great deal... Will I be seeing you here [in Worpswede] before I leave? I really hope not. The ground is burning a little beneath my feet... And now, I don't even know how I should sign my name. I'm not Modersohn, but I'm no longer Paula Becker anymore either [because she was married with Otto Modersohn, but is now leaving him]. I am Me, and I hope to become Me more and more. That is surely the goal of all our struggles... I am now leaving Friday night and shal arrive in Paris on Saturday. Write a line to 29 Rue Cassette, where I plan to stay..”

Paula Modersohn-Becker (1876–1907) German artist

quote in a letter from Worpswede, 17 February, 1906 to Rainer Maria Rilke in Paris; as quoted in Modersohn-Becker P, Busch G, Reinken LV: Paula Modersohn-Becker, the Letters and Journals, Taplinger; New York 1983, p. 383-84
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“What I lack are the skills of painting, the profession which I don't know, and now I see that the French [artists] possess this so extremely strong. I do believe that you can learn it all here. I am in Paris now. When someone is richer than me and he wants me to stay here for a year or half a year (for a few thousand francs) my future will have a lot of more certainty than when I must go back to Holland after eight days... I hope you will be able to fulfill my wish; I also put enough trust in you that you will do this, if you can. Waiting for your letter with a lot of anxiety, I remain”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

G.H. Breitner (translation from the original Dutch, Fons Heijnsbroek)
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Wat mij mankeert is de manier van schilderen, 't métier dat ik niet ken, en wat ik nu zie dat de Franschen zoo buitengewoon sterk bezitten. en wat ik wel geloof dat men hier leeren kan. Ik ben nu in Parijs. Wanneer iemand rijker is dan ik mij hier een jaar of een half jaar (voor een paar duizend francs) wil laten blijven, is mijn toekomst vrij wat zekerder, dan dat ik na acht daag weer naar Holland moet terugkeeren.. .Ik hoop dat U in staat zult zijn mijn wensch te verwezentlijken; ik stel ook genoeg vertrouwen in U dat ge dat doen zult als ge kunt. Met de meeste angst Uw brief te wachten, blijf ik' - tt G.H. Breitner.
In Breitner's letter to A.P. van Stolk from Paris, 5 Juin, 1884; as cited in Breitner en Parijs – master-thesis 9928758 https://dspace.library.uu.nl/handle/1874/8382, by Jacobine Wieringa, Faculty of Humanities Theses, Utrecht, p. 16
before 1890

“It is no accident that propels people like us to Paris. Paris is simply an artificial stage, a revolving stage that permits the spectator to glimpse all phases of the conflict. Of itself Paris initiates no dramas. They are begun elsewhere. Paris is simply an obstetrical instrument that tears the living embryo from the womb and puts it in the incubator. Paris is the cradle of artificial births. Rocking here in the cradle each one slips back into his soil; one dreams back to Berlin, New York, Chicago, Vienna, Minsk,. Vienna is never more Vienna than Paris. Everything is raised to its apotheosis. The cradle gives up its babes and new ones take their place. You can real here on the walls Zola lived and Balzac and Dante and Strindberg and everybody who ever was anything. Everyone has lived here some time or other. Nobody dies here...”

Henry Miller book Tropic of Cancer

Source: Tropic of Cancer (1934), Chapter Two

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Jean-François Millet 12

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