
Additional notes to Genesis (p. 193)
The Pentateuch and Haftorahs (one-volume edition, 1937, ISBN 0-900689-21-8
Les anciens Romains élevaient des prodiges d'architecture pour faire combattre des bêtes.
Letter addressed to "un premier commis" [name unknown] (20 June 1733), from Oeuvres Complètes de Voltaire: Correspondance [Garnier frères, Paris, 1880], vol. I, letter # 343 (p. 354)
Citas
Les anciens Romains élevaient des prodiges d'architecture pour faire combattre des bêtes.
Additional notes to Genesis (p. 193)
The Pentateuch and Haftorahs (one-volume edition, 1937, ISBN 0-900689-21-8
Lutetia; or, Paris. From the Augsberg Gazette, 12, VII (1842)
“The greatest masterpiece in literature is only a dictionary out of order.”
Source: Le Potomak : Précédé d'un Prospectus 1916
“Whosoever is delighted in solitude is either a wild beast or a god.”
Variant: He who delights in solitude is either a wild beast or a God.
“Whosoever is delighted in solitude, is either a wild beast or a god.”
“For a true mother, you will be and always remain her greatest masterpiece of life.”
Original: Per una vera madre, sarai e rimarrai sempre il suo più grande capolavoro della vita.
Source: prevale.net
“No wild beasts are so dangerous to men as Christians are to one another.”
As quoted by Ammianus Marcellinus, as translated in Barbarians: An Alternative Roman History (2006) by Terry Jones, p. 205 ISBN 9780563539162
General sources
“The wild, cruel beast is not behind the bars of the cage. He is in front of it.”
“Aware that the city was architecturally unworthy of her position as capital of the Roman Empire, besides being vulnerable to fire and river floods, Augustus so improved her appearance that he could justifiably boast: "I found Rome built of bricks; I leave her clothed in marble."”
Urbem neque pro maiestate imperii ornatam et inundationibus incendiisque obnoxiam excoluit adeo, ut iure sit gloriatus marmoream se relinquere, quam latericiam accepisset.
Source: The Twelve Caesars, Augustus, Ch. 28