“The point is that one sees things at different moments with different eyes. Differently in the morning then in the evening. The way in which one sees also depends on one's mood…. coming in from a dark bedroom in the morning into the sitting room one will, for example, see everything in a bluish light. Even the deepest shadows are topped with bright light. After a while one will accustom oneself to the light and the shadows will be deeper and everything will be seen more sharply. If an atmosphere of this kind is being painted it won't do merely to sit and gaze at everything 'just as one sees'. One must paint precisely the fleeting moment of significance – one must capture the exact experience separating that significant moment from the next – the exact moment when the motif struck one… In some circumstances a chair may seem to be just as interesting as a human being. In some way or another it must have caught the interest in which case the onlooker's interest must somehow be engaged in the same way. It's not the chair that should be painted, but what the person has felt at the sight of it [written in Saint Cloud, 1890 - probably related to the chair of Vincent van Gogh”

“As the light of morning strikes now one peak and then another, some being illuminated while others are in the shadow, so the light of the essential moral principle shines now upon one duty and then upon another, while others are in the shadow.”

“Shadow is ever besieged, for that is its nature. Whilst darkness devours, and light steals. And so one sees shadow ever retreat to hidden places, only to return in the wake of the war between dark and light.”

“16. Without seeing the origin of light, the true form of one's Self, the ordinary man sees by the mind different things and is deluded.”

“See, this hidden brightness in which one contemplates everything that one desires according to the way of emptiness of spirit, this brightness is so great that the loving contemplative neither sees nor feels anything in his ground in which he rests except an incomprehensible light. And according to the simple bareness which encompasses all things, he finds and feels himself to be that very light by which he sees, and nothing else.”

“The eye which turns from a white object in the light of the sun and goes into a less fully lighted place will see everything as dark.”

“A man who is a spiritual man--a religious teacher--regards the universe from the standpoint of the Spirit from which everything is seen as coming from the One. When he stands, as it were, in the centre, and he looks from the centre to the circumference, he stands at the point whence the force proceeds, and he judges of the force from that point of radiation and he sees it as one in its multitudinous workings, and knows the force is One; he sees it in its many divergencies, and he recognises it as one and the same thing throughout. Standing in the centre, in the Spirit, and looking outwards to the universe, he judges everything from the standpoint of the Divine Unity and sees every separate phenomenon, not as separate from the One but as the external expression of the one and the only Life. But science looks at the thing from the surface. It goes to the circumference of the universe and it sees a multiplicity of phenomena. It studies these separated things and studies them one by one. It takes up a manifestation and judges it; it judges it apart; it looks at the many, not at the One; it looks at the diversity, not at the Unity, and sees everything from outside and not from within: it sees the external difference and the superficial portion while it sees not the One from which every thing proceeds.”

“To see a candle’s light, one must take it into a dark place.”

“This wallpaper has a kind of sub-pattern in a different shade, a particularly irritating one, for you can only see it in certain lights, and not clearly then.”

“while the scientist sees everything that happens in one point of space,
the poet feels everything that happens in one point of time.”