“for we women are not only the deities of the household fire, but the flame of the soul itself.”
Rabindranath Tagore (1861–1941) Bengali polymath
Source: The Home and the World
Jeventus Mundi: The Gods and Men of the Heroic Age (1870) p. 289. https://archive.org/stream/juventusmundigod00glad_1#page/288/mode/2up <br class="br">1870s
“for we women are not only the deities of the household fire, but the flame of the soul itself.”
Rabindranath Tagore (1861–1941) Bengali polymath
Source: The Home and the World
Victor Hugo book William Shakespeare
Homère est un des génies qui résolvent ce beau problème de l’art, le plus beau de tous peut-être, la peinture vraie de l’humanité obtenue par le grandissement de l’homme, c’est-à-dire la génération du réel dans l’idéal.
Part I, Book II, Chapter II, Section I
William Shakespeare (1864)
Piet Mondrian (1872–1944) Peintre Néerlandais
'A New Realism', p. 17
1940's, A New Realism', 1943-1945
Charles Caleb Colton (1777–1832) British priest and writer
Preface
Lacon (1820)
Ernest Flagg (1857–1947) American architect
Small Houses: Their Economic Design and Construction (1922)
Context: Why can there not be a new art founded on the only principle which can produce great art—the principle that art is the interpretation or extraction of the essence of beauty in nature, and all else is secondary?<!-- Introduction
Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands
(original Dutch, citaat van B.C. Koekkoek:) Wilt gij zien wat er van een vlak, eenvoudig landelijk tafereel, als hetzelve den stempel der natuur, het merk der waarheid draagt, schoons en bevalligs kan gemaakt worden? Beschouwt dan de werken van onze grooten Schelfhout. Daarin zult gij de eenvoudige natuur op het sierlijkst, maar tevens met eene getrouwheid en waarheid, wat alleen een Schelfhout vermag, voorgesteld vinden.
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 243
Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French
Napoleon : In His Own Words (1916)
Context: In a battle, as in a siege, the art consists in concentrating very heavy fire on a particular point. The line of battle once established, the one who has the ability to concentrate an unlooked for mass of artillery suddenly and unexpectedly on one of these points is sure to carry the day.