Vladimir Tatlin (1885–1953) Russian artist
Quote in: 'Zodchii 19' (1915), p. 198; as quoted by Vasilii Rakitin, in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 30
Quotes, 1910 - 1925
Jean Arp (1931), as quoted in: Eric Robertson (2006) Arp: Painter, Poet, Sculptor, p. 108
1930s
Vladimir Tatlin (1885–1953) Russian artist
Quote in: 'Zodchii 19' (1915), p. 198; as quoted by Vasilii Rakitin, in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 30
Quotes, 1910 - 1925
Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer
Spirit has arrived at the age of maturity...
Quote in 'Comments on the basic of concrete painting', Paris, January 1930, in 'Art Concret', April 1930, pp. 2–4
1926 – 1931
“The abstract kills, the concrete saves.”
Sylvia Plath (1932–1963) American poet, novelist and short story writer
1959-01-07 http://books.google.com/books?id=4V7HOuom_I4C&q=%22The+abstract+kills+the+concrete+saves%22&pg=PA287#v=onepage <br class="br">The Unabridged Journals of Sylvia Plath (2000)
Salvador Dalí (1904–1989) Spanish artist
The means of pictorial expression are placed at the service of this subject.
Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', p. 12
“The way I solved the theoretical problem was to go into the shop and build something concrete.”
Robert B. Leighton (1919–1997) American astronomer
finding out that he was not a theoretical but an experimental physicist, as quoted in his biographical memoir. [Jesse L. Greenstein, Robert B. Leighton, 1919—1996, Biographical Memoirs v.75, National Academy of Sciences, 1998, 0-309-06295-0, 164, http://www.nap.edu/openbook.php?record_id=9649&page=164]
Karl Pearson (1857–1936) English mathematician and biometrician
The Ethic of Freethought (Mar 6, 1883)
“I try to make concrete that which is abstract.”
Juan Gris (1887–1927) Spanish painter and sculptor
Response to questionnaire circulated to the Cubists by Amédée Ozenfant and Le Corbusier, editors of L'Esprit Nouveau # 5 (February 1921)