"The Shadowland of Dreams"', published in Chicken Soup for the Soul at Work (1996) by Jack Canfield, Mark Victor Hansen, Maida Rogerson, Martin Rutte and Tim Clauss; also in Alex Haley : The Man Who Traced America's Roots (2007), a collection of stories and essays by Haley published in Reader's Digest between 1954 to 1991.
Context: Many a young person tells me he wants to be a writer. I always encourage such people, but I also explain that there’s a big difference between “being a writer” and writing. In most cases these individuals are dreaming of wealth and fame, not the long hours alone at the typewriter. “You’ve got to want to write,” I say to them, “not want to be a writer.”
The reality is that writing is a lonely, private and poor-paying affair. For every writer kissed by fortune, there are thousands more whose longing is never requited. Even those who succeed often know long periods of neglect and poverty. I did.
“There are too many "creative writing" courses and seminars, in which young wirters are constantly being taught to rewrite the previous generation. They should be experimenting on their own. Every writer faces different problems which he must solve for himself.”
"Conversation with Dos Passos," New Leader, Feb 23 1959
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John Dos Passos 25
novelist, playwright, poet, journalist, painter 1896–1970Related quotes
Session 159, Page 68
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 4
“Minds differ in the vividness with which they recall the elements of previous experience”
The Principles of Success in Literature (1865)
Context: Minds differ in the vividness with which they recall the elements of previous experience, and mentally see the absent objects; they differ also in the aptitudes for selection, abstraction, and recombination: the fine selective instinct of the artist, which makes him fasten upon the details which will most powerfully affect us, without any disturbance of the harmony of the general impression, does not depend solely upon the vividness of his memory and the clearness with which the objects are seen, but depends also upon very complex and peculiar conditions of sympathy which we call genius.
"Critique of the Physical Concepts of the Corpuscular Theory" in The Physical Principles of the Quantum Theory (1930) as translated by Carl Eckhart and Frank C. Hoyt, p. 20; also in "The Uncertainty Principle" in The World of Mathematics : A Small Library of the Literature of Mathematics (1956) by James Roy Newman, p. 1051
On how she defines “author” in “Interview with Mystery Author Lucha Corpi” http://latinola.com/story.php?story=8074 in ¡Latino LA! (2009 Dec 4)