“Between two fantasy alternatives, that Holbein the Younger had lived long enough to have painted Shakespeare or that a prototype of the camera had been invented early enough to have photographed him, most Bardolators would choose the photograph. This is not just because it would presumably show what Shakespeare really looked like, for even if the photograph were faded, barely legible, a brownish shadow, we would probably still prefer it to another glorious Holbein. Having a photograph of Shakespeare would be like having a nail from the True Cross.”
"The Image-World", p. 154
On Photography (1977)
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Susan Sontag168
American writer and filmmaker, professor, and activist 1933–2004Related quotes
Jackson Browne (1948) American singer-songwriter
"Fountain of Sorrow" <br class="br"> ("Fountain of Sorrow" on YouTube) https://www.youtube.com/watch?v=XaoHbNNK58k <br class="br">Late for the Sky (1974)
Alfred Stieglitz (1864–1946) American photographer
'How I came to Photograph Clouds', Alfred Stieglitz, in 'Amateur Photographer and Photography', (19 September 1923): 255.
about his new subject: 'clouds' in his long series 'Equivalents' he started in 1922
Gerhard Richter (1932) German visual artist, born 1932
Source: after 2000, Doubt and belief in painting' (2003), p. 43, note 36 : quote on his start with photography
“There are two people in every photograph: the photographer and the viewer”
Ansel Adams (1902–1984) American photographer and environmentalist
Gordon Hendricks (1917–1980) American historian
Gordon Hendricks: "The Life And Work Of Thomas Eakins", Grossman Publishers : New York 1974, ISBN 0-670-42795-0, p. 160
The photographs were studies for Eakins' painting Swimming, Hendricks was the first to connect Eakins with homosexuality.