“Greed is good. Taken from Ivan Boesky’s speech saying ‘Greed is right.’… Gekko says he wrecks it ‘because it is wreckable.’ There is an impulse in Gekko to take, to rape…. Kirk Kerkorian destroyed MGM and UA…. Buy both companies and destroy both. And that was the end of the movie business. UA and MGM were two great film companies. Suddenly they were one lousy company. Kerkorian did it for the money, like Gekko. He didn’t care about film. Never. He sold it off in pieces. He cannibalized it. Just like Gekko. These guys do what suits their short-term.”

Wall Street DVD Director’s Commentary (2000)

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American film director, screenwriter, and producer 1946

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“It’s funny to read articles about Gordon Gekko as if he exists…. If you really listen to Gekko’s speech, half of it makes sense…. But it’s the excess, losing moderation, that destroys all…. There is nothing inherently wrong with greed as a human motivator, greed motivating evolution…. But there’s a huge disconnect between the classes. It is very demoralizing to work for someone who makes a billion dollars a year while you make just barely enough to make it.”

Oliver Stone (1946) American film director, screenwriter, and producer

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“I’m ambivalent. I like Gekko, which is partly why Michael Douglas did so well…. Gekko is despicable but kinda fun too.”

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“My idea of good company… is the company of clever, well-informed people, who have a great deal of conversation; that is what I call good company.'
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“Sharpe could feel the excitement of the Company, their confidence, and he marvelled at it. They were enjoying it, taking on sixteen times their number, and he did not understand that it was because of him. Harper knew, Knowles knew, that the tall Rifle Captain who was not given to rousing speeches could nevertheless make men feel that the impossible was just a little troublesome and that victory was a commonplace where he led.”

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“One was my movement, which I’m very conscious of in films, especially coming from martial arts. Think about how many times a character is seen just sitting or walking or standing, it’s a lot of time in film and it says so much about a character. So I’ve always been keen to pay attention to movement and that was one thing he said he noticed. Never have I heard a director talk like that about me. And also he said that the eyes were important because it really has to come through the make-up. So he was interested in those two aspects especially…”

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“To read a writer is for me not merely to get an idea of what he says, but to go off with him and travel in his company.”

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