Karl Pearson (1857–1936) English mathematician and biometrician
These alterations... I shall—merely for convenience—term life.
The Ethic of Freethought (Mar 6, 1883)
"The Pleasure of the Image" (1985) from Writers on Artists edited by Daniel Halpern (1988), p. 98, North Point Press ISBN 0-86547-340-4
Karl Pearson (1857–1936) English mathematician and biometrician
These alterations... I shall—merely for convenience—term life.
The Ethic of Freethought (Mar 6, 1883)
Ellen Kushner book The Privilege of the Sword
Part IV, Chapter V (p. 385)
The Privilege of the Sword (2006)
William of Ockham (1285–1349) medieval philosopher and theologian
Vol. I, Book 2, Ch. 22 http://www.britac.ac.uk/pubs/dialogus/t1d2b.html, as translated by John Scott (1999) <br class="br">Dialogus (1494)
An-My Lê (1960) American photographer
Interview with the Art Newspaper (August 13, 2020)
Ralph Ellison (1914–1994) American novelist, literary critic, scholar and writer
"Society, Morality and the Novel" (1957), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), pp. 699-700.
Context: Perhaps the novel evolved in order to deal with man's growing awareness that behind the facade of social organisations, manners, customs, myths, rituals and religions of the post-Christian era lies chaos. Man knows, despite the certainties which it is the psychological function of his social institutions to give him, that he did not create the universe, and that the universe is not at all concerned with human values. Man knows that even in this day of marvelous technology and the tenuous subjugation of the atom, that nature can crush him, and that at the boundaries of human order the arts and the instruments of technology are hardly more than magic objects which serve to aid us in our ceaseless quest for certainty. We cannot live, as someone has said, in the contemplation of chaos, but neither can we live without an awareness of chaos, and the means through which we achieve that awareness, and through which we assert our humanity most significantly against it, is in great art. In our time the most articulate art form for defining ourselves and for asserting our humanity is the novel. Certainly it is our most rational art form for dealing with the irrational.
Robyn Dawes (1936–2010) American psychologist
Source: Everyday Irrationality: How Pseudo-Scientists, Lunatics, and the Rest of Us Systematically Fail to Think Rationally (2001), Chapter 9, “Sexual Abuse Hysteria” (p. 158)
George Friedman (1949) American businessman and political scientist
Source: The Next 100 Years: A Forecast for the 21st Century (2009), p. 151