“Practise silence, for the voice of God can be heard in the region of your heart only when the tongue and the inner storm are stilled, and the waves (of the mind) are calmed. There will be no temptation for others to shout when you talk to them in whispers. Set the level of the tone yourself: as low as possible, as high as necessary to reach the outermost boundary of the circle you are addressing. Conserve sound, since it is the treasure of the element ether (Akasa), an emanation from God Himself. Reason can prevail only when the arguments are advanced without the whipping up of sound. Silence is the speech of the spiritual seeker. Soft speech is the expression of genuine love. Hate screeches; fear squeals; conceit trumpets; but love sings lullabies, it soothes, it applies balm. Practise the vocabulary of love; unlearn the language of hate and contempt.”

— Sathya Sai Baba

"Divine Discourse" (19 February 1970)

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Sathya Sai Baba 33

Indian guru 1926–2011

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“It is not necessary to remind you of the fact that your voice, amplified to the degree where it reaches from one end of the country to the other, does not confer upon you greater wisdom than when your voice reached only from one end of the bar to the other. All of these things you know.”

Edward R. Murrow (1908–1965) Television journalist

A variant of part of this statement is often quoted: Just because your voice reaches halfway around the world doesn't mean you are wiser than when it reached only to the end of the bar.
RTNDA Convention Speech (1958)
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“The law of silence: Speak little. Say only what you must. Speak only when necessary. Your oratory should be deeds, not words. You accomplish: let others talk.”

Corneliu Zelea Codreanu (1899–1938) Romanian politician

The Nest Leader's Manual (1933)

“When played at the right sound level, which is quite high and exciting, the tones in this music will cause your ears to act as neurophonic instruments that emit sounds that will seem to be issuing directly from your head.”

Maryanne Amacher (1938–2009) Composer and installation artist

Amacher, 1999, cited in: Franziska Schroeder (2006). Bodily instruments and instrumental bodies. Vol. 25. p. 74:
Description of how "ears act as instruments and emit sounds as well as receive them (Amacher, 1999)... [and] the way these 'otoacoustic emissions' might function."