
"The Relation of Jazz to American Music", in Henry Cowell (ed.) American Composers on American Music (1933); reprinted in Gregory R. Suriano (ed.) Gershwin in His Time (New York: Gramercy, 1998) p. 97.
Vol. I, Ch. II
The World as Will and Representation (1819; 1844; 1859)
"The Relation of Jazz to American Music", in Henry Cowell (ed.) American Composers on American Music (1933); reprinted in Gregory R. Suriano (ed.) Gershwin in His Time (New York: Gramercy, 1998) p. 97.
Carl Kozlowski (September 11, 2008) "Taste in the making: Tool’s Maynard James Keenan shifts his focus from writing dark lyrics to creating zesty wines" http://www.pasadenaweekly.com/cms/story/detail/taste_in_the_making/6378/, Pasadena Weekly. Southland Publishing.
On the Origin and Function of Music
Essays on Education (1861)
“The art of music above all the other arts is the expression of the soul of a nation.”
National Music (1934) p. 123.
Source: Staff Reporter, "Mangalampalli can't wait to come home"
On his singing on the occasion of an India-Pakistan cricket match.
Quoted in Ludwig Prautzsch Bibel und Symbol in den Werken Bachs, p. 7 http://books.google.co.uk/books?id=xaG9peANY9kC&pg=PA7&dq=teuflisches+%22Finis+und+Endursache+anders+nicht,+als+nur+zu+Gottes+Ehre+%22;translation from Albert Schweitzer (trans. Ernest Newman) J. S. Bach (New York: Dover, 1966), vol. 1, p. 167
Variant: Like all music, the figured bass should have no other end and aim than the glory of God and the recreation of the soul; where this is not kept in mind there is no true music, but only an infernal clamour and ranting.
From "Home thoughts from abroad", article by Frank Owen, Melody Maker (27 Sep 1986)
In interviews etc., About other artists