“The source of my work is nature. I use it with respect and freedom. I use materials, ideas, movement and time to express a whole view of my art in the world.”

— Richard Long

Richard Long (1982), cited in: Description of the exhibition Concentrations IX: Richard Long, March 31–July 8, 1984 at the Dallas Museum of Art http://texashistory.unt.edu/ark:/67531/metapth224905/m1/1/.
1980s

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Richard Long 10

artist 1945

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“Today every child knows what Merz is. But what is 'i'? I is the middle vowel of the alphabet and the designation for the consequence of Merz in relation to an intensive apprehension of the art form. For the shaping of the work of art Merz uses large ready-made complexes that count as material, to shorten as much as possible the path leading from the intuition to the actualization (Sichtbarmachung) of the artistic idea, so as to avoid heat loss through friction. i defines this path as o (i setzt diesen Weg = null). Idea, material, and work of art are the same. i apprehends the work of art in nature. Here the artistic shaping is the recognition of rhythm and expression in a part of nature. Thus, no loss through friction i. e., no disturbing distraction during creation occurs here.”

Kurt Schwitters (1887–1948) German artist

1920s
Source: the article 'i ein Manifest' (or 'i-manifest'), Kurt Schwitters, in Merz 2. 1923; as quoted in Kurt Schwitters Merzbau: The Cathedral of Erotic Misery, by Elizabeth Burns Gamard, Princeton Architectural Press, New York, 2000, p. 116

“The influence of my art is expressed in the movement of the Constructivists, of which I am the founder – Tatlin.”

Vladimir Tatlin (1885–1953) Russian artist

Quoted from a biographical note written by Tatlin in 1929, published in Tatlin', Weingarten; Kunstverlag Weingarten, 1987), p. 328; as quoted by Vasilii Rakitin, in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 34
Quotes, 1926 - 1954

“Nature has always been recorded by artists, from prehistoric cave paintings to twentieth-century landscape photography. I too wanted to make nature the subject of my work, but in new ways. I started working outside using natural materials like grass and water, and this evolved into the idea of making a sculpture by walking … My first work made by walking, in 1967, was a straight line in a grass field, which was also my own path, going ‘nowhere’. In the subsequent early map works, recording very simple but precise walks on Exmoor and Dartmoor, my intention was to make a new art which was also a new way of walking: walking as art.”

Richard Long (1945) artist

Richard Long in: Ben Tufnell (ed.), Richard Long: Selected Statements & Interviews, London 2007, p. 39; Cited in: " Richard Long: A Line Made by Walking 1967 http://www.tate.org.uk/art/artworks/long-a-line-made-by-walking-ar00142/text-summary," at Tate.org
2000s

“I started working with my dreams, because I'm not so censored when I use dream material.”

Kathy Acker (1947–1997) American novelist, playwright, essayist, and poet

Kathy Acker: Where does she get off?
Context: I'm starting to worry about self-censorship — that I might be internalizing some shit. I might be writing what people expect me to write, writing from that place where I might be ruled by economic considerations. To overcome that, I started working with my dreams, because I'm not so censored when I use dream material. And I'm working at trying to find a kind of language where I won't be so easily modulated by expectation. I'm looking for what might be called a body language. One thing I do is stick a vibrator up my cunt and start writing — writing from the point of orgasm and losing control of the language and seeing what that's like.

“I will defend my right to confess my faith, so that no one else would be deprived of their right to freedom of religion and speech. I hold to the view that my expressions are legal, and they should not be censored. I will not back down from my views. I will not be intimidated into hiding my faith.”

Päivi Räsänen (1959) Finnish politician

Source: The Persecution of a Finnish Parliamentarian https://www.ncregister.com/news/the-persecution-of-a-finnish-parliamentarian (December 15, 2020)

“The aim of my work: The study of nature, the love of nature's art, and the need to express what one feels in one's heart.”

Émile Gallé (1846–1904) French glass artist and cabinetmaker

Ecrits pour l'art, ed. Henrietta Galle Paris 1908/Marseille (1980).

“The words cited from my work, when viewed isolatedly, are far from expressing the idea which I wished to attach to them. The works of genius upon which our judgments bear are in general complex”

Adolphe Quetelet (1796–1874) Belgian astronomer, mathematician, statistician and sociologist

Preface of M. Quetelet
A Treatise on Man and the Development of His Faculties (1842)
Context: The words cited from my work, when viewed isolatedly, are far from expressing the idea which I wished to attach to them. The works of genius upon which our judgments bear are in general complex; for there is no work, constructed by genius, which does not suppose the exercise of various of its faculties. A skilful analysis could alone make out the part of each of them...

“The idea of an art world forms the backbone of my analysis. "Art world" is commonly used by writers on the arts in a loose and metaphoric way, mostly to refer to the most fashionable people associated with those newsworthy objects and events that command astronomical prices. I have used the term in a more technical way, to denote the the network of people whose cooperative activity, organized via their joint knowledge of conventional means of doing things, produce(s) the kind of art works that art world is noted for.”

Howard S. Becker (1928) American sociologist

Source: Art Worlds (1982), p.x.

“I believe that nature and art can express one of the fundamental mysterious truths of life, equal to all of us.”

Giovanni Morassutti (1980) Italian actor, theatre director and cultural entrepreneur.

“My ideas flow so rapidly that I have not time to express them──by which means my letters sometimes convey no ideas at all to my correspondents.”

Jane Austen book Pride and Prejudice

Source: Pride and Prejudice

“The source of my work is nature. I use it with respect and freedom. I use materials, ideas, movement and time to express a whole view of my art in the world.”

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