Quote in his letter to Sweeney, 24 May 1943; as cited in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 240
1940's
“There is one quality I find in all the artists I admire most – men like Masaccio, Michelangelo, Rembrandt, Cézanne. I mean a disturbing element, a distortion, giving evidence of a struggle of some sort... Great Art is not Perfect. Here the disturbing element comes in. It is instructive to know that Rembrandt copied Mantegna, whose art is the extreme opposite of his own. Why did he do so? Because he was conscious that his own art lacked the classical element. He was aware of the opposite, and that makes him greater.”
Quote in 'Conversations with Henri Moore', J.P. Hodin, in 'The Observer', 24 Nov. 1958
1955 - 1970
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Henry Moore 44
English artist 1898–1986Related quotes
As quoted by Gustav Stickley (1911). The Craftsman http://digicoll.library.wisc.edu/cgi-bin/DLDecArts/DLDecArts-idx?type=article&did=DLDecArts.hdv20n06.i0027&id=DLDecArts.hdv20n06&isize=text, Volume 20. United Crafts, p. 631
Arshile Gorky Adolph Gottlieb in exhibition catalogue Kootz Gallery New York, 1950; as quoted in Abstract Painting in America, W.C, Seitz p. 104.
1950s
On a meeting with a young artist, Mr. J. B. Kidd, Ch. X, p. 140
The Life and Adventures of John James Audubon, the Naturalist (1868)
1950's, Is today's artist with or against the past, (1958)
Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona
“The point of art is to emphasize some elements at the expense of others.”
The World in Six Songs (2008)
On Actors and the Art of Acting (Leipzig: Bernhard Tauchnitz, 1875) p. 13