“I think we have a really good work ethic, and we’re committed to not only being professional on set but also working hard to do what it takes to get the job. But I also think having an Aussie accent is a bit of a drawcard! It’s something different and people seem to like it—let’s just go with that!”

— Claire Holt

Exclusive: The Australian Actress Hollywood Can't Get Enough Of (June 10, 2016)

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Australian actress and model 1988

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“Dicko: Hayley, hair looks great by the way. Curls are good for you. I've got to say, look, I don't think you're a natural at this. You have to work really hard at everything you do and it's pleasing to see the way you're moving in the right direction. I think that was a really tough song to chose. Some of those timings in there, it was a bit like a maths exam at times for me trying to keep up. But I think it's a really good style for you. That type of song. That type of artist, George as well. The only problem I have with you, I've had it for the past few weeks, is I can see you concentrating and I can hear you thinking about what you're trying to do as you're doing it and I don't know. Sometimes I just think if you could switch all of that off and just let yourself go a bit I think you'd be a lot better for it. But that was very good.”

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“i suppose i have a really loose interpretation of "work", because i think that just being alive is so much work at something you don't always want to do. the machinery is always going. even when you sleep”

Andy Warhol book The Philosophy of Andy Warhol

Variant: I suppose I have a really loose interpretation of 'work,' because I think that just being alive is so much work at something you don't always want to do.
Source: 1975, The Philosophy of Andy Warhol (1975), Ch. 6: Work
Source: The Philosophy of Andy Warhol
Context: I suppose I have a really loose interpretation of "work" because I think that just being alive is so much work at something you don't always want to do. Being born is like being kidnapped. And then sold into slavery. People are working every minute. The machinery is always going. Even when you sleep.

“It's really fun and just to be with a friend while you're working really hard. It can sometimes be really stressful. Also it's just fun to have someone to laugh with and have a good time with.”

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“I think when you work with really wonderful directors who have a really strong vision, it lets you as an artist set the tone for your own career. So for me, it's not necessarily having that kind of notoriety. I'm interested in great work and working with people that have a singular vision, and I think the work dictates that.”

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“People do what they do by choice, so I don’t really know it’s a matter of people being comfortable in front of the camera. I think it’s a matter of doing the work that’s available to you and then striving in it. If you realized how hard it is to get a job in the entertainment industry, and you were working prolifically in voice over and you can work doing on camera stuff here and there, it has nothing to do with being worried about how you look on camera. It’s about the work and you do the work that is available to you. These actors are that good that they’re able to do the voiceover stuff. It’s hard. A lot of people think that it’s easy to just go and talk in front of a microphone and that’s not the case. You’re not just talking, you’re acting. You’re acting in front of a microphone as opposed to a camera. It’s a lot more specific of a technique than most people think. It’s not, “Oh, do a silly voice!” Try doing a silly voice for four hours, then take a lunch break, and then do another silly voice for four hours. It’s not easy, especially because it’s about the acting. So I think that mindset is a little off.”

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