“The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.”

Source: The German State on a National and Socialist Foundation (1923), p. 56

From Considérations sur l'état actuel du cinéma (1999), translated as Philosophy and Cinema in Infinite Thought: truth and the return of philosophy. London: Continuum, 2003. ISBN 0826467245.

In response to the question, "You're well known for not wanting to impose interpretations on your films. Is this because you believe that audiences have become accustomed to being spoon-fed and told what to think?"
as interviewed by Richard Porton, "Collective Guilt and Individual Responsibility: An Interview with Michael Haneke," Cineaste, Vol. 31, No. 1 (Winter 2005), pp. 50-51

"5 Questions for Wong Kar Wai" in Notebook Feature (19 March 2021) https://mubi.com/notebook/posts/5-questions-for-wong-kar-wai

Midi-Minuit Fantastique, Oct. 1968

From an interview in Art and Design, no. 49
Interviews

On the staying power of literature in “Samanta Schweblin on Revealing Darkness Through Fiction” https://lithub.com/samanta-schweblin-on-revealing-darkness-through-fiction/ in LitHub (2017 Jan 12)

The diva rules

from Selections from the Ileana and Michael Sonnabend Collection, Sam Hunter, exhibition catalogue The Art Museum, Princeton University, 1985 p. 21
1980's