“The arts which achieve their effect through purity have never been arts that were good for everything. Greek sculpture (among others) with its decadence, teaches us this.”

— Georges Braque

Source: 1908 - 1920, quotes from Artists on Art...(1972), p. 422 - Braque's quote, Paris 1917

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Georges Braque 43

French painter and sculptor 1882–1963

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“I assert that the art of sculpture, among all the arts connected with design, is at least seven times greater than any other, for the following reason: why, sir, a statue of true sculpture ought to have seven points of view, which ought all to boast equal excellence.”

Benvenuto Cellini (1500–1571) Florentine sculptor and goldsmith

Dico, che l'arte della Scultura infra tutte l'arte, che s'interviene disegno, è maggiore sette volte, perchè una statua di Scultura deve avere otto vedute, e conviene che la sieno tutte di egual bontà.
Letter to Benedetto Varchi, January 28, 1546, cited from G. P. Carpani (ed.) Vita di Benvenuto Cellini (Milano: Nicolo Bettoni, 1821) vol. 3, p. 183; translation from Thomas Nugent (trans.) The Life of Benvenuto Cellini, a Florentine Artist (London: Hunt and Clarke, 1828) vol. 2, p. 264.

“Fundamental to everything the [ancient] Greeks achieved was their conviction that good for humanity was possible only if men were free, body, mind, and spirit, and if each man limited his own freedom. A good state or work of art or piece of thinking was possible only through the self-mastery of the free individual, self-government.”

Edith Hamilton (1867–1963) American teacher and writer

Introduction
The Echo of Greece (1957)

“Every work of art is the child of its age and, in many cases, the mother of our emotions. It follows that each period of culture produces an art of its own which can never be repeated. Efforts to revive the art-principles of the past will at best produce an art that is still-born. It is impossible for us to live and feel, as did the ancient Greeks. In the same way those who strive to follow the Greek methods in sculpture achieve only a similarity of form, the work remaining soulless for all time. Such imitation is mere aping. Externally the monkey completely resembles a human being; he will sit holding a book in front of his nose, and turn over the pages with a thoughtful aspect, but his actions have for him no real meaning.”

Wassily Kandinsky (1866–1944) Russian painter

I. Kandinsky's introduction: Lead paragraph
1910 - 1915, Concerning the Spiritual in Art, 1911

“For me sculpture is divinity. This is the only answer that I could find for myself. Art is man's distinctly human way of fighting death. Through art, man achieves immortality and in this immortality we find God.”

Jacques Lipchitz (1891–1973) American and French sculptor

Source: Jacques Lipchitz: The Artist at Work, 1966, p. 189

“All my work is in a way founded on Japanese art... Japanese art, in decadence in its own country, takes root again among the French impressionist artists.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, Summer 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 510) p. 32
1880s, 1888