“As for an authentic villain, the real thing, the absolute, the artist, one rarely meets him even once in a lifetime. The ordinary bad hat is always in part a decent fellow.”

—  Colette

“The South of France”, Earthly Paradise (1966) ed. Robert Phelps

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "As for an authentic villain, the real thing, the absolute, the artist, one rarely meets him even once in a lifetime. Th…" by Colette?
Colette photo
Colette 59
1873-1954 French novelist: wrote Gigi 1873–1954

Related quotes

Laurell K. Hamilton photo
Carlos Ruiz Zafón photo

“Known of the respectability on the part of everyone. I've always been called the villain of reality because unfortunately I'm one of the few real ones. When I think of something, I expose it, regardless of whether it may later please the public.”

Soleil Sorge (1994) American naturalized Italian model, television presenter, television personality and commentator

Original: (it) Noto del perbenismo da parte di tutti quanti. Io sono sempre stata definita la cattiva del reality perché purtroppo sono una delle poche vere. Quando penso una cosa la espongo, a prescindere che possa poi piacere al pubblico.
Source: Frasi di Soleil Sorge https://aforismi.meglio.it/aforismi-di.htm?n=Soleil+Sorge, aforismi.meglio.it.

Tove Jansson photo
Muhammad Ali photo

“I'll beat him so bad he'll need a shoehorn to put his hat on.”

Muhammad Ali (1942–2016) African American boxer, philanthropist and activist
P.G. Wodehouse photo
Willa Cather photo

“If he achieves anything noble, anything enduring, it must be by giving himself absolutely to his material. And this gift of sympathy is his great gift; is the fine thing in him that alone can make his work fine.
The artist spends a lifetime in pursuing the things that haunt him, in having his mind "teased" by them, in trying to get these conceptions down on paper exactly as they are to him and not in conventional poses supposed to reveal their character”

Willa Cather (1873–1947) American writer and novelist

"Miss Jewett"
Not Under Forty (1936)
Context: One might say that every fine story must leave in the mind of the sensitive reader an intangible residuum of pleasure; a cadence, a quality of voice that is exclusively the writer's own, individual, unique. A quality which one can remember without the volume at hand, can experience over and over again in the mind but can never absolutely define, as one can experience in memory a melody, or the summer perfume of a garden... It is a common fallacy that a writer, if he is talented enough, can achieve this poignant quality by improving upon his subject-matter, by using his "imagination" upon it and twisting it to suit his purpose. The truth is that by such a process (which is not imaginative at all!) he can at best produce only a brilliant sham, which, like a badly built and pretentious house, looks poor and shabby after a few years. If he achieves anything noble, anything enduring, it must be by giving himself absolutely to his material. And this gift of sympathy is his great gift; is the fine thing in him that alone can make his work fine.
The artist spends a lifetime in pursuing the things that haunt him, in having his mind "teased" by them, in trying to get these conceptions down on paper exactly as they are to him and not in conventional poses supposed to reveal their character; trying this method and that, as a painter tries different lightings and different attitudes with his subject to catch the one that presents it more suggestively than any other. And at the end of a lifetime he emerges with much that is more or less happy experimenting, and comparatively little that is the very flower of himself and his genius.

Gillian Flynn photo
Henry James photo
Lev Grossman photo

Related topics