“Somebody in Germany [the German artist Joseph Beuys, who frequently visited America to discuss and to do performances] has been talking about my 'silence', saying that it is overrated. What does that mean? [this quotes you find also in Joseph Beuys' quotes on Wikiquote], he himself heard this 'rumor' from several American artists! (Joseph Beuys continued: 'I am convinced that he [= Duchamp] knew very well what it meant. If he was unsure about it, he could have written me a letter').”

— Marcel Duchamp

Quote from: 'Interview with Achille Bonito Oliva', 1986; Republished in: 'Joseph Beuys', Carin Kuoni. Joseph Beuys in America: Energy Plan for the Western Man. New York, 1993
posthumous

Adopted from Wikiquote. Last update June 3, 2021. History

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Marcel Duchamp 66

French painter and sculptor 1887–1968

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“I think Joseph Beuys is the most missunderstood artist of the 20th century. He opened a door into art for any idiot and now they traipse around believing that they have to bestow their favour on this rubbish, although it has absolutely nothing to say.”

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“I mean artists like Joseph Beuys, who is really a tough, strong artist. B E U Y S. He's been working in Germany for years. He doesn't bother with the burden of ideas. What he desires to do is fill your house with margarine. Let you live encased in fat, die encased in fat. He would take three hundred pounds of margarine and put it exactly where Pat Kelly is now, and then leave it there. That's sort of the tenor of his work.”

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“I want to say something about Picasso as a revolutionary. A revolution in the history of art is a reflection of the history of society. Art cannot revolutionize society. It is a reflection of that revolution.. You [= Joseph Beuys ] talking in the same interview] have revolutionized art. But I do not see that you have revolutionized society directly. You have depicted what has not yet existed.... art and life are not two separate realms, but they have shifted out of phase with each other.”

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“When I went to school [art-school - Joseph Beuys was one of his art teachers and a very inspiring one] there was Pop Art. The Americans dismissed us from our responsibilities. They mailed us Care packages and Democracy. The search for our own identity was postponed. After the 'time of misfortune' as it has been called euphemistically, one thought in 1946 to begin anew. Even now we talk about the 'Point Zero'. But that is not possible; this is nonsense. The past is tabulated because to confront it would necessitate denial and disgust..”

Anselm Kiefer (1945) German painter and sculptor

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Structures are no longer valid', in "Ein Gespräch..."

“Amazing. You're here, but you can't do a simple thing like raising light, or do I mean lazing right? Whichever. You can't. Why not?"
"No one ever showed me how," I said.
He swayed about, looking solemn. "I quote," he said. "I'm very well read in the literature of several worlds, you know, and I quote. What do they teach them in these schools?”

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“Purely mathematical symbols have no meaning by themselves; it is the privilege of pure mathematicians, to quote Bertrand Russell, not to know what they are talking about. …It is the physicist, and not the mathematician, who must know what he is talking about.”

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“I very well recollect the reformation which took place in the country among the various denominations of Christians-the Baptists, Methodists, Presbyterians, and others-when Joseph was a boy. Joseph's mother, one of his brothers, and one, if not two, of his sisters were members of the Presbyterian Church, and on this account the Presbyterians hung to the family with great tenacity. And in the midst of these revivals among the religious bodies, the invitation, "Come and join our church," was often extended to Joseph, but more particularly from the Presbyterians. Joseph was naturally inclined to be religious, and being young, and surrounded with this excitement, no wonder that he became seriously impressed with the necessity of serving the Lord. But as the cry on every hand was, "Lo, here is Christ," and "Lo, there!" Said he, "Lord, teach me, that I may know for myself, who among these are right." And what was the answer? "They are all out of the way; they have gone astray, and there is none that doeth good, no not one. When he found out that none were right, he began to inquire of the Lord what was right, and he learned for himself. Was he aware of what was going to be done? By no means. He did not know what the Lord was going to do with him, although He had informed him that the Christian churches were all wrong, because they had not the Holy Priesthood, and had strayed from the holy commandments of the Lord, precisely as the children of Israel did.”

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“I’ve spent a lot of time in London over the last few years and I liked the idea of the Mughal emperor Babur meeting with modern-day disaffected youth and talking to them about their actions. He was a sharp literary critic who could be very sweeping and cruel about poetry if he thought it was bad poetry, and he said some fantastic things that I quoted word for word in the opera. I read the Baburnama – the memoirs of Babur – and quoted lines from it. “Writing badly will make you ill.” What a beautiful thing to say. I read that book and I thought, how dramatic! If he had been a figure in western history it would have been an opera. War, murder, love, tragedy, poetry. It always jumped out at me as something worth doing.”

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“You remember our talk about purpose and meaning?" he asked me, the smile disappearing. "Well, I think this might be mine. I think this is what I was meant to do, Georgina.”

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“Did you know that I went to London to see Whistler and that I spent about twelve days, very impressed by London and also by Whistler, who is a great artist; moreover, he could not have been more charming to me, and has invited me to exhibit at his show.”

Claude Monet (1840–1926) French impressionist painter

Quote in a letter to art-critic Theodore Duret (13 August 1887, L. 794); as cited in: Katharine Jordan Lochnan, ‎Luce Abélès, ‎James McNeill Whistler (2004), Turner, Whistler, Monet, p. 179
1870 - 1890

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Marcel Duchamp 66

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