translation from original Dutch: Fons Heijnsbroek
(original Dutch, citaat van Schelfhout, uit zijn brief:) ..[dat wij beiden, (Schelfhout èn J.C. Schotel )] elk een schilderij te maaken het welk bijde als het ware één gezigt zoude uitmaken [uitzicht van Scheveningen door Schotel, èn uitzicht op het centrum van Den Haag door Schelfhout].. ..[maar] onze schilderijen zullen dus te zamen geen geheel uitmaken, maar slechts pandanten zijn.. .Ik heb de teekening genomen van het bordes of trap van het pavilloen [in Scheveningen] over de duinen naar Den Haag gezien. Op de voorgrond, die in de natuur zeer kaal en ledig is heb ik eenige bomen geplaatst..
In a letter to J.C. Schotel, 18 Nov. 1828; in: collective Stadsarchief van ErfgoedCentrum DIEP, Dordtrecht, No. 48-d
Schelfhout was referring to the assignment from the Dutch King Willem I for two paintings: one view over the old center of The Hague & one view over the beach of Scheveningen.
“Some paintings become famous because, being durable, they are viewed by successive generations, in each of which are likely to be found a few appreciative eyes. I know a painting so evanescent that it is seldom viewed at all, except by some wandering deer. It is a river who wields the brush, and it is the same river who, before I can bring my friends to view his work, erases it forever.”
“August: The Green Pasture”, p. 51.
A Sand County Almanac, 1949, "August: The Green Pasture," "September: The Choral Copse," "October: Smoky Gold," and "October: Red Lanterns"
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Aldo Leopold 130
American writer and scientist 1887–1948Related quotes
translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Voorheen heb ik ook wel eens wat geschilderd, maar omdat ik toen geen antwoord kreeg, ben ik ermee gestopt. Als het een ander niets te zeggen heeft, stop ik ermee. Ik ben geen idioot die in zichzelf zit te praten en naar de punt van het penseel zit te staren. Schilderen doe je met elkaar.
Source: Jopie Huisman', 1981, p. 57
Source: The Human Predicament: A Candid Guide to Life's Biggest Questions (2017), Introduction, p. 14
Quote in a conversation with Vollard, along the river near Aix, 1896; as quoted in Cezanne, by Ambroise Vollard, Dover publications Inc. New York, 1984, p. 74
Quotes of Paul Cezanne, 1880s - 1890s
Source: On the Origin of Species (1859), chapter XV: "Recapitulation and Conclusion", page 428 http://darwin-online.org.uk/content/frameset?pageseq=456&itemID=F391&viewtype=image, in the sixth (1872) edition
Context: Authors of the highest eminence seem to be fully satisfied with the view that each species has been independently created. To my mind it accords better with what we know of the laws impressed on matter by the Creator, that the production and extinction of the past and present inhabitants of the world should have been due to secondary causes, like those determining the birth and death of the individual. When I view all beings not as special creations, but as the lineal descendants of some few beings which lived long before the first bed of the Cambrian system was deposited, they seem to me to become ennobled (emphasis, again, not Darwin's).
“There are some who will characterize my view as “nihilistic."”
Left unqualified, that characterization is false. My view of cosmic meaning is indeed nihilistic. I think that there is no cosmic meaning. If I am right about that, then calling me a nihilist about cosmic meaning is entirely appropriate. However, my view is not nihilistic about all meaning because I believe that there is meaning from some perspectives. Our lives can be meaningful, but only from the limited, terrestrial perspectives. There is a crucial perspective—the cosmic one—from which our lives are irredeemably meaningless. In thinking about meaning in life, two broad kinds of mistakes are made. There are those who think that the only relevant meaning is what is attainable. They ignore our cosmic meaninglessness or they find ways either to discount questions about cosmic meaning or to minimize the importance of cosmic meaninglessness. The other kind of mistake is to think that because we are cosmically insignificant, “nothing matters,” where the implication is that nothing matters from any perspective. If we lack cosmic meaning but have other kinds of meaning, then some things do matter, even though they only matter from some perspectives. It does make a difference, for example, whether or not one is adding to the vast amounts of harm on earth, even though that makes no difference to the rest of the cosmos.
p. 32
The Human Predicament: A Candid Guide to Life's Biggest Questions (2017), Meaninglessness
Somebody once said that I paint the kind of girls your mother would want you to marry.
Norman Rockwell, My Adventures As An Illustrator : An Autobiography (1979), p 24
TW talks to the beautiful and super talented Femi Taylor, Oola from Return of the Jedi http://www.thetimewarriors.co.uk/blog/?p=21797 (October 28, 2013)