“To deliberately criticise another individual may cause an indelible stain on the critic.”
Sri Chinmoy (1931–2007) Indian writer and guru
#14805, Part 37
Twenty Seven Thousand Aspiration Plants Part 1-270 (1983)
Source: The Task (1785), Book IV, The Winter Evening, Line 51.
“To deliberately criticise another individual may cause an indelible stain on the critic.”
Sri Chinmoy (1931–2007) Indian writer and guru
#14805, Part 37
Twenty Seven Thousand Aspiration Plants Part 1-270 (1983)
Ernest Belfort Bax (1854–1926) British barrister and journalist
Introduction https://en.wikisource.org/wiki/The_Fraud_of_Feminism/Introduction <br class="br">The Fraud of Feminism (1913)
“It's wrong to criticize leaders of the church, even if the criticism is true.”
Dallin H. Oaks (1932) Apostle of the LDs Church
Part Two Transcript http://www.pbs.org/mormons/etc/script2.html, The Mormons, Dallin H. Oaks, 2007
Woodrow Wilson (1856–1924) American politician, 28th president of the United States (in office from 1913 to 1921)
Letter to Arthur Brisbane (April 25, 1917); reported in Ray Stannard Baker, Woodrow Wilson, Life and Letters (1946), vol. 6, p. 36
1910s
Israel Shahak (1933–2001) Israeli academic
With Norton Mezvinsky.
Jewish Fundamentalism In Israel (1997)
Matthijs Maris (1839–1917) Dutch painter
Quote of Matthijs Maris, in his letter to David Croal Thomson (Oct. 1890), as cited in: The Brothers Maris (James – Matthew – William), ed. Charles Holme; text: D.C. Thomson https://ia800204.us.archive.org/1/items/cu31924016812756/cu31924016812756.pdf; publishers, Offices of 'The Studio', London - Paris, 1907, p. BMxv p. BMxviii
“In critical moments even the very powerful have need of the weakest.”
Aesop book The Lion and the Mouse
The Lion and the Mouse.
David Edwards (1962) british journalist, born 1962
Source: Burning All Illusions (1996), p. 6
“Even the best critical writing on Emily Dickinson underestimates her. She is frightening.”
Camille Paglia (1947) American writer
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 624
Context: Even the best critical writing on Emily Dickinson underestimates her. She is frightening. To come to her directly from Dante, Spenser, Blake, and Baudelaire is to find her sadomasochism obvious and flagrant. Birds, bees, and amputated hands are the dizzy stuff of this poetry. Dickinson is like the homosexual cultist draping himself in black leather and chains to bring the idea of masculinity into aggressive visibility.