“When I am shooting a film I never think of how I want to shoot something; I simply shoot it. My technique, which differs from film to film, is wholly instinctive and never based on a priori considerations.”

— Michelangelo Antonioni

Encountering Directors interview (1969)

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Michelangelo Antonioni 39

Italian film director and screenwriter 1912–2007

Jack Arnold (director)

Jack Arnold in The Horror People http://eric.b.olsen.tripod.com/arnold.html (1976)

“I almost got no sleep, shooting eight hours in one film, followed by eight hours in another and eight hours in a third film. But whenever we were done at the end of the day, I never thought of packing up. I always couldn’t bear to go home.”

Brigitte Lin (1954) Taiwanese actress

As quoted in "Brigitte Lin, a timeless national treasure" in Taipei Times (15 May 2018) https://www.taipeitimes.com/News/feat/archives/2018/05/15/2003693091

“No one can teach you how to compose a shot. You are only guided by an instinct. It has to come from within. I learned cinema by working on my films. The best thing was that I bought my own camera, and since I was working on the digital medium, I had the freedom to experiment, shoot more.”

Rima Das (1982) Indian Assamese film maker

SilverScreenIndia Article - Making A Zero Budget Movie: The Tale Of Assamese Filmmaker Rima Das’s ‘Village Rockstars’ - 20 November 2017 https://silverscreenindia.com/movies/features/interviews/making-a-zero-budget-movie-the-tale-of-assamese-filmmaker-rima-dass-village-rockstars/ - Archive https://web.archive.org/web/20210728183808/https://silverscreenindia.com/movies/features/interviews/making-a-zero-budget-movie-the-tale-of-assamese-filmmaker-rima-dass-village-rockstars/

“I never hit my ex-wife. But many times I wanted to shoot her.”

Jair Bolsonaro (1955) Brazilian president elect

"Eu defendo a tortura" https://web.archive.org/web/20000526120540/http://www.terra.com.br/istoegente/28/reportagens/entrev_jair.htm. IstoÉ Gente (14 February 2000).

“It was a tough subject to deal with, Bala has deftly handled the film. Frankly, I never expected a film like Naan Kadavul from Tamil. That shows how different Bala is in his thinking and approach.”

Bala (1966) Indian film director

Shaji N. Karun on Bala's work in Naan Kadavul http://movies.rediff.com/report/2010/jan/28/why-bala-got-his-national-award.htm (28 January 2010

“None of the films is about me. Not a single one. None. I have my life and I'll simply never tell anyone what part of me is in my films.”

Krzysztof Kieślowski (1941–1996) Polish film director and screenwriter

As quoted in "Kieślowski's Many Colours" by Patrick Abrahamsson, in Oxford University Student newspaper (2 June 1995)
Context: I don't make biographical films … None of the films is about me. Not a single one. None. I have my life and I'll simply never tell anyone what part of me is in my films. I won't ever tell anyone about that, because I don't consider that to be anyone else's business but mine. Nobody will guess where and how and in what way I fill them with my own pains. And that's an intimate aspect of my work that I keep to myself. … I won't even tell my wife — ever.

“I shoot only on film and plate. I don’t touch digital. There are many reasons: mentally it’s very different to work with film. It’s expensive, it’s heavy, so you have to prepare. It’s precious and every photograph you have to say yes! It’s now! There's no fiddling about and fixing it later. I really believe the soul of photography is its relationship with the instant.”

Hélène Binet (1959) Swiss photographer

Source: Ten questions for photographer Hélène Binet http://uk.phaidon.com/agenda/photography/articles/2012/december/06/ten-questions-for-photographer-helene-binet/, Phaidon Press, 6 December 2012.

“I think when you’re shooting on such a tight budget and schedule, the insanity and the energy and the sense of spirit is what makes the experience unique. Ten percent more isn’t going to make enough of a difference and anything that would — double the budget, triple the time — then you’re making a different kind of film.”

Olly Blackburn Film director and screenwriter

[Filmmaker Magazine, ”Donkey Punch” co-writer-director, Olly Blackburn, Jason, Guerrasio, 15 January 2008, 23 February 2012, http://www.filmmakermagazine.com/news/2008/01/donkey-punch-co-writer-director-olly-blackburn/, Independent Feature Project]

“I almost never shoot people.”

Janet Evanovich (1943) Novelist

Variant: Stephanie Plum,"I almost never shoot anyone.

“How do I pick a role? Well, primarily I think I would like to be part of a film that's progressive as well as entertaining, you know? Because in India we have a huge amount of audience that is not educated, and they really look up to films… So I think it's important to do a film… that's entertaining but has a message. And after that I'd like to do films that are different for me -- if I'm doing a love story then I want to do a war film, if I'm doing a war film then I want to do a story about an un-wed mother. I think variety is the spice of life.”

Preity Zinta (1975) film actress

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“When I am shooting a film I never think of how I want to shoot something; I simply shoot it. My technique, which differs from film to film, is wholly instinctive and never based on a priori considerations.”

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