The Tragic Sense of Life (1913), VI : In the Depths of the Abyss
Context: To all this, someone is sure to object that life ought to subject itself to reason, to which we will reply that nobody ought to do what he is unable to do, and life cannot subject itself to reason. "Ought, therefore can," some Kantian will retort. To which we shall demur: "Cannot, therefore ought not." And life cannot submit itself to reason, because the end of life is living and not understanding.
“Literature cannot be the business of a woman's life, and it ought not to be.”
Letter to Charlotte Brontë in March 1837, reported in Gaskell The life of Charlotte Brontë, Vol. I (1857), p. 139, and in Mumby Letters of Literary Men, Vol. II (1906), p. 185.
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Robert Southey 51
British poet 1774–1843Related quotes
“I am learning my business. Literature nowadays is a trade.”
Vol. I, Ch. 1 : A Man of His Day, p. 8
New Grub Street : A Novel (1891)
Context: I am learning my business. Literature nowadays is a trade. Putting aside men of genius, who may succeed by mere cosmic force, your successful man of letters is your skilful tradesman. He thinks first and foremost of the markets; when one kind of goods begins to go off slackly, he is ready with something new and appetising. He knows perfectly all the possible sources of income. Whatever he has to sell he'll get payment for it from all sorts of various quarters; none of your unpractical selling for a lump sum to a middleman who will make six distinct profits.
“Status ought not to be measured by a woman's ability to attract and snare a man.”
Source: The Female Eunuch
Literature and Revolution (1924), edited by William Keach (2005), Ch. 4 : Futurism, p. 120
Variants:
Art is not a mirror to hold up to society, but a hammer with which to shape it.
Remarks apparently derived from Trotsky's observations, or those he implies preceded his own, this is attributed to Bertolt Brecht in Paulo Freire : A Critical Encounter (1993) by Peter McLaren and Peter Leonard, p. 80, and to Vladimir Mayakovsky in The Political Psyche (1993) by Andrew Samuels, p. 9
Art is not a mirror held up to society, but a hammer with which to shape it.
Context: Art, it is said, is not a mirror, but a hammer: it does not reflect, it shapes. But at present even the handling of a hammer is taught with the help of a mirror, a sensitive film that records all the movements. Photography and motion-picture photography, owing to their passive accuracy of depiction, are becoming important educational instruments in the field of labor. If one cannot get along without a mirror, even in shaving oneself, how can one reconstruct oneself or one's life, without seeing oneself in the "mirror" of literature? Of course no one speaks about an exact mirror. No one even thinks of asking the new literature to have mirror-like impassivity. The deeper literature is, and the more it is imbued with the desire to shape life, the more significantly and dynamically it will be able to "picture" life.
In Harper's New Monthly Magazine, Editor's Study Christmas Literature (December 1888), p. 158-59, as quoted in An Imperative Duty, Appendix D, 7
Vol. 1, pp. 4–5
A History of Criticism and Literary Taste in Europe from the Earliest Texts to the Present Day
Speech at Birkbeck College (20 March 1924), quoted in On England, and Other Addresses (1926), p. 146.
1924
The First Blast to Awaken Women Degenerate