“Art doesn't transform. It just plain forms.”
Quoted in Jonathon Green, The Macmillan Dictionary of Contemporary Quotations (1996) p. 179
1990's
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Roy Lichtenstein 15
American pop artist 1923–1997Related quotes
as interviewed by Richard Porton, "Collective Guilt and Individual Responsibility: An Interview with Michael Haneke," Cineaste, Vol. 31, No. 1 (Winter 2005), pp. 50-51
Quote from an interview on the Belgian radio, 1982; As cited in: Andersson, Patrik Lars. Euro-pop: the mechanical bride stripped bare in Stockholm, even. (2001). p. 50.
Quotes, 1980's
Context: With Dada I.... have in common a certain mistrust toward power. We don't like authority, we don't like power, To me art is a form of manifest revolt, total and complete. It's a political attitude which doesn't need to found a political party. It's not a matter of taking power; when you are against it, you can't take it. We're against all forms of force which aggregate and crystallize an authority that oppresses people. Obviously this is not a characteristic of my art alone - it's much more general, a basic political attitude. It's a clear intention, more necessary today than ever, to oppose all forms of force emanating from a managing, centralizing political power.
André Malraux, Les voix du silence [Voices of Silence] (1951) Part IV, Chapter VI
Les voix du silence [Voices of Silence] (1951)
Context: The great Christian art did not die because all possible forms had been used up; it died because faith was being transformed into piety. Now, the same conquest of the outside world that brought in our modern individualism, so different from that of the Renaissance, is by way of relativizing the individual. It is plain to see that man's faculty of transformation, which began by a remaking of the natural world, has ended by calling man himself into question.
“The idea that God doesn't care about his children is rooted in a lie, plain and simple.”
Too Busy Not to Pray (2008, InterVarsity Press)
“Anyone who doesn't not have any form of respect doesn't deserve any form of consideration.”
Original: Chi non ha alcuna forma di rispetto non merita alcuna forma di considerazione.
Source: prevale.net
Bill Moyers interview (2002)
Context: I understood really the power of art to transform. I think transformation became the main word in my life.
Transformation because you don't want to just put a mirror in front of people and say, here, look at yourself. What do you see? You want to have a skewed mirror. You want a mirror that says you didn't know you could see the back of your head. You didn't know that you could amount cubistic see almost all the same aspects at the same time. It allows human beings to step out of their lives and to revisit it and maybe find something different about it.
1950s
Source: Sergei Eisenstein (1957), Film form [and]: The film sense, p. 127.