“I see the future development of painting taking place in workshops.... not in any holy temple of the arts. Painting is manual labor, no different from any other. It can be done well or poorly.”

— George Grosz

Quoted by William Bolcom, in The End of the Mannerist Century / quoted in Art of the 20th Century, Part 1, Karl Ruhrberg, Klaus Honnef, Manfred Schneckenburger, Christiane Fricke; publisher: Taschen 2000, p. 190

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "I see the future development of painting taking place in workshops.... not in any holy temple of the arts. Painting is …" by George Grosz?

George Grosz photo

George Grosz9

German artist 1893–1959

Related quotes

“It is a horrid abomination to see in Christian temples a painted image either of Christ or of any saint.”

Epiphanius of Salamis (315–403) Christian bishop and saint

Epistle to Hieron, as cited by John Calvin in Institutes of the Christian Religion

“No one can learn to love by following a manual, and no one can learn to write by following a course. I’m not telling you to seek out other writers but to find people with different skills from yourself, because writing is no different from any other activity done with joy and enthusiasm.”

Paulo Coelho book Aleph

Aleph (2011)

“They speak of naturalism in opposition to modern painting. I would like to know if anyone has ever seen a natural work of art. Nature and art, being two different things, cannot be the same thing. Through art we express our conception of what nature is not. Velasquez left us his idea of the people of his epoch. Undoubtedly they were different from what he painted them, but we cannot conceive a Philip IV in any other way than the one Velasquez painted…”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Paris 1923
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 312
Quotes, 1920's

“I don't feel any direct relationship between what I do and existing art. Though there is unavoidable progression: the things all paintings have in common are paint, and color, and some means of application. With the standard you can make any two pictures appear either alike of different. I don't think whether they're alike or different is really very interesting.”

Robert Rauschenberg (1925–2008) American artist

1950's, Is today's artist with or against the past, (1958)

“If this end is unattainable, so, it can be said, is perfection in any other ideal of painting or in any other of man's activities.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

1911 - 1940, Notes on Painting - Edward Hopper (1933)

“Organized perception is what is art all about... It is a process. It has nothing to do with any external form the painting takes, it has to do with a way of building a unified pattern of seeing…”

Roy Lichtenstein (1923–1997) American pop artist

Source: 1960's, What is Pop Art? Interviews with eight painters' (1963), pp. 25-27

“Seeing several of these paintings [his series paintings 'Hommage to the square', Josef Albers painted in 1963-64] next to each other makes it obvious that each painting is an instrumentation on its own.
This means that they all are of different palettes, and, therefore, so to speak, of different climates.
Choice of the colors used, as well as their order, is aimed at an interaction – influencing and changing each other forth and back.
Thus, character and feeling alter from painting to painting without any additional 'handwriting' or, so-called, texture.
Though the underlying symmetrical and quasi-concentric order of squares remains the same in all paintings – in proportion and placement – these same squares group or single themselves, connect and separate in many different ways
In consequence, they move forth and back, in and out, and grow up and down and near and far, as well as enlarged and diminished. All this to proclaim color autonomy as a means of plastic organization.”

Josef Albers (1888–1976) German-American artist and educator

6 short quotes from: 'The Origin of Art'
Homage to the square' (1964)

“If art finds the temple closed, then it flees into the workshop.”

Marie von Ebner-Eschenbach (1830–1916) Austrian writer

Wenn der Kunst kein Tempel mehr offen steht, dann flüchtet sie in die Werkstatt.
Source: Aphorisms (1880/1893), p. 24.

“and if I have any advice to give to anybody it’s this: take up watercolor painting.”

Charles Bukowski book Notes of a Dirty Old Man

Source: Notes of a Dirty Old Man

“It sometimes takes a foreigner to come and see a place and paint it. I remember someone saying they had never really noticed the palm trees here until I painted them.”

David Hockney (1937) British artist

Interview with Nigel Farndale, "The talented Mr. Hockney," The Telegraph, (15 November 2001)
2000s

Related topics