Wojciech Jaruzelski (1923–2014) Polish military officer and politician
Source: Excerpts of Martial law speech (14 December 1981)
Source: 1930s- 1950s, The End of Economic Man (1939), p. 24
Wojciech Jaruzelski (1923–2014) Polish military officer and politician
Source: Excerpts of Martial law speech (14 December 1981)
Friedrich Engels (1820–1895) German social scientist, author, political theorist, and philosopher
(1847)
Mohammad Reza Pahlavi (1919–1980) Shah of Iran
As quoted in Jimmy Carter (1995), Keeping faith: memoirs of a president, page 444
Attributed
Wernher von Braun (1912–1977) German, later an American, aerospace engineer and space architect
From a letter to the California State board of Education (14 September 1972)
Context: For me, the idea of a creation is not conceivable without invoking the necessity of design. One cannot be exposed to the law and order of the universe without concluding that there must be design and purpose behind it all.
Errico Malatesta (1853–1932) Italian anarchist
The Method of Freedom: An Errico Malatesta Reader (2014)
Russell Jacoby (1945) American historian
Source: Social Amnesia: A Critique of Conformist Psychology from Adler to Laing (1975), p. 65
William Styron book Darkness Visible
Source: Darkness Visible (1990), I
Context: Depression is a disorder of mood, so mysteriously painful and elusive in the way it becomes known to the self — to the mediating intellect — as to verge close to being beyond description. It thus remains nearly incomprehensible to those who have not experienced it in its extreme mode, although the gloom, “the blues” which people go through occasionally and associate with the general hassle of everyday existence are of such prevalence that they do give many individuals a hint of the illness in its catastrophic form.
Ralph Ellison (1914–1994) American novelist, literary critic, scholar and writer
"Society, Morality and the Novel" (1957), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), pp. 699-700.
Context: Perhaps the novel evolved in order to deal with man's growing awareness that behind the facade of social organisations, manners, customs, myths, rituals and religions of the post-Christian era lies chaos. Man knows, despite the certainties which it is the psychological function of his social institutions to give him, that he did not create the universe, and that the universe is not at all concerned with human values. Man knows that even in this day of marvelous technology and the tenuous subjugation of the atom, that nature can crush him, and that at the boundaries of human order the arts and the instruments of technology are hardly more than magic objects which serve to aid us in our ceaseless quest for certainty. We cannot live, as someone has said, in the contemplation of chaos, but neither can we live without an awareness of chaos, and the means through which we achieve that awareness, and through which we assert our humanity most significantly against it, is in great art. In our time the most articulate art form for defining ourselves and for asserting our humanity is the novel. Certainly it is our most rational art form for dealing with the irrational.
Camille Paglia (1947) American writer
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 1
John Zerzan (1943) American anarchist and primitivist philosopher and author
Running on Emptiness: The Pathology of Civilization (2002)