“The artist lives only day by day, and is the recipient of the things that surround him; he transposes sensations from outside, according to what the fate reserves him, but transforms them relentlessly and tenaciously, in a manner determined by him alone.”

— Odilon Redon

in Confidences of an artist (1894) published posthumously in Paris in 1922 as part of the book of memoirs To himself; as quoted by Paul Westheim in Confessions of Artists - Letters, Memoirs and Observations of Contemporary Artists, Propyläen Publishing House, Berlin, 1925: p. 82

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "The artist lives only day by day, and is the recipient of the things that surround him; he transposes sensations from o…" by Odilon Redon?

Odilon Redon2

French painter 1840–1916

Giannina Braschi (1953) Puerto Rican writer

Empire of Dreams (prose poetry, 1988)

“What money is better bestowed than that of a schoolboy's tip? How the kindness is recalled by the recipient in after days! It blesses him that gives and him that takes.”

William Makepeace Thackeray book The Newcomes

The Newcomes, Ch. 16.

“From the power to transform him into a thing by killing him there proceeds another power, and much more prodigious, that which makes a thing of him while he still lives.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

Du pouvoir de transformer un homme en chose en le faisant mourir procède un autre pouvoir, et bien autrement prodigieux, celui de faire une chose d'un homme qui reste vivant.
in The Simone Weil Reader, p. 155
Simone Weil : An Anthology (1986), The Iliad or The Poem of Force (1940-1941)

“Free! The word and the thought alone were worth fifty blankets. He was warm from end to end as he thought of the jolly world outside, waiting eagerly for him to make his triumphal entrance, ready to serve him and play up to him, anxious to help him and to keep him company, as it always had been in days of old before misfortune fell upon him.”

Kenneth Grahame book The Wind in the Willows

Source: The Wind in the Willows (1908), Ch. 10

“So long as any one can speak of divine things, enjoy and understand them, remember and desire them, he has not yet arrived in port; yet there are ways and means to guide him thither. But the creature can know nothing but what God gives him to know from day to day”

Catherine of Genoa (1447–1510) Italian author and nurse

Life and Doctrine

“After visiting these places, you can easily understand how that within a few years Hitler will emerge from the hatred that surrounds him now as one of the most significant figures who ever lived. He had boundless ambition for his country which rendered him a menace to the peace of the world, but he had a mystery about him in the way that he lived and in the manner of his death that will live and grow after him. He had in him the stuff of which legends are made.”

John F. Kennedy (1917–1963) 35th president of the United States of America

After visiting such Nazi strongholds as were found in Berchtesgaden and Kehlsteinhaus; Personal diary (1 August 1945); published in Prelude to Leadership (1995)
Pre-1960

“The artist should not only paint what he sees before him, but also what he sees in himself. If, however, he sees nothing within him, then he should also refrain from painting what he sees before him.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote from "The Awe-Struck Witness" in TIME magazine (28 October 1974) http://www.time.com/time/magazine/article/0,9171,908926-1,00.html and in "On the Brink: The Artist and the Seas" by Eldon N. Van Liere in Poetics of the Elements in the Human Condition: The Sea (1985) ed. Anna-Teresa Tymieniecka Variant translations: The artist should not only paint what he sees before him, but also what he sees within him. If, however, he sees nothing within him, then he should also omit to paint that which he sees before him. As quoted in German Romantic Painting (1994) by William Vaughan, p. 68 undated Context: The artist should not only paint what he sees before him, but also what he sees in himself. If, however, he sees nothing within him, then he should also refrain from painting what he sees before him. Otherwise his pictures will be like those folding screens behind which one expects to find only the sick or the dead.