“The artist lives only day by day, and is the recipient of the things that surround him; he transposes sensations from outside, according to what the fate reserves him, but transforms them relentlessly and tenaciously, in a manner determined by him alone.”
in Confidences of an artist (1894) published posthumously in Paris in 1922 as part of the book of memoirs To himself; as quoted by Paul Westheim in Confessions of Artists - Letters, Memoirs and Observations of Contemporary Artists, Propyläen Publishing House, Berlin, 1925: p. 82
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Odilon Redon 2
French painter 1840–1916Related quotes

Du pouvoir de transformer un homme en chose en le faisant mourir procède un autre pouvoir, et bien autrement prodigieux, celui de faire une chose d'un homme qui reste vivant.
in The Simone Weil Reader, p. 155
Simone Weil : An Anthology (1986), The Iliad or The Poem of Force (1940-1941)

After visiting such Nazi strongholds as were found in Berchtesgaden and Kehlsteinhaus; Personal diary (1 August 1945); published in Prelude to Leadership (1995)
Pre-1960

Quote from "The Awe-Struck Witness" in TIME magazine (28 October 1974) http://www.time.com/time/magazine/article/0,9171,908926-1,00.html and in "On the Brink: The Artist and the Seas" by Eldon N. Van Liere in Poetics of the Elements in the Human Condition: The Sea (1985) ed. Anna-Teresa Tymieniecka
Variant translations:
The artist should not only paint what he sees before him, but also what he sees within him. If, however, he sees nothing within him, then he should also omit to paint that which he sees before him.
As quoted in German Romantic Painting (1994) by William Vaughan, p. 68
undated
Context: The artist should not only paint what he sees before him, but also what he sees in himself. If, however, he sees nothing within him, then he should also refrain from painting what he sees before him. Otherwise his pictures will be like those folding screens behind which one expects to find only the sick or the dead.

The Dagger with Wings (1926)