“Music should enrich the soul; it should teach spirituality by showing a person a portion of himself that he would not discover otherwise. It's easy to rediscover part of yourself, but through art you can be shown part of yourself you never knew existed. That's the real mission of art. The artist has to find something within himself that's universal and which he can put into terms that are communicable to other people. The magic of it is that art can communicate to a person without his realizing it… enrichment, that's the function of music.”

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Bill Evans5

American jazz pianist 1929–1980

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“Putting a shovel in a gallery or museum signified “this shovel has become art.” And it actually was. The action itself is art, because the artist projects himself in choosing the shovel, and especially in placing it out of context. It is art in the sense that the imprint of a hand in a cave is art, the Mona Lisa is art, a happening is art, etc. It is a problem that touches on the ethics and function of the artist: he assumes the right to have this supra-human calling that allows him to say to others, “everything that I touch with my hand is transformed into art.” The artist imposes his anguish, his vision of the world, and himself on others. The artist emasculates the observer. Maybe he thinks that the latter deserves no better… The artist assumes the right to show you what you can see for yourself, what you could obviously see much more clearly without his intervention. I contest this right.”

Daniel Buren (1938) sculptor from France

Source: Art is no longer justifiable or setting the record straight, 2000, p. 66-67

“However much you love somebody, you should always keep a part of yourself to yourself. Never give it all. You can never be yourself otherwise.”

Aidan Chambers (1934) British children's writer

Source: Dying to Know You

“The person who does not know how to put up with others should retire into himself, if indeed he can suffer even himself.”

Baltasar Gracián book The Art of Worldly Wisdom

El que no se hallare con ánimo de sufrir apele al retiro de sí mismo, si es que aun a sí mismo se ha de poder tolerar.
Maxim 159 (p. 90)
The Art of Worldly Wisdom (1647)

“You know, all insanity is a form of artistic expression, I often think. Only the person has nothing but himself to work with—he can’t get at outside materials to manipulate them—so he puts all his art into his behavior.”

Fritz Leiber book Our Lady of Darkness

Source: Our Lady of Darkness (1977), Chapter 10 (p. 56)

“[An artist must apply] his personal faculties to the ideas and the events of the times in which he lives... [A]rt in painting should consist only of the representation of things which that are visible and tangible to the artist. Every age should be represented only by its own artists, that is to say, by the artist who have lived in it. I also maintain that painting is an essentially concrete art form and can exist only of the representation of both real and existing things... An abstract object, not visible, nonexistent, is not within the domain of painting.”

Gustave Courbet (1819–1877) French painter

Quote in an open letter ('Credo'), (Paris, end of December 1861), published in the 'Courier du Dimanche', (addressed to prospective students); as quoted in Letters of Gustave Courbet, transl. & ed. Petra ten-Doesschate Chu, University of Chicago Press 1992, pp. 203-204
1860s

“When seen as a whole, art derives from a person's desire to communicate himself to another. I do not believe in an art which is not forced into existence by a human being’s desire to open his heart. All art, literature, and music must be born in your heart’s blood. Art is your heart’s blood.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

Manuscript (1891); as quoted in Edvard Munch and the Physiology of Symbolism (2002) by Shelley Wood Cordulack
1880 - 1895

“The autonomous individual, striving to realize himself and prove his worth, has created all that is great in literature, art, music, science and technology. The autonomous individual, also, when he can neither realize himself nor justify his existence by his own efforts, is a breeding call of frustration, and the seed of the convulsions which shake our world to its foundations.”

Eric Hoffer (1898–1983) American philosopher

Section 29
The Passionate State Of Mind, and Other Aphorisms (1955)
Context: A fateful process is set in motion when the individual is released "to the freedom of his own impotence" and left to justify his existence by his own efforts. The autonomous individual, striving to realize himself and prove his worth, has created all that is great in literature, art, music, science and technology. The autonomous individual, also, when he can neither realize himself nor justify his existence by his own efforts, is a breeding call of frustration, and the seed of the convulsions which shake our world to its foundations.
The individual on his own is stable only so long as he is possessed of self-esteem. The maintenance of self-esteem is a continuous task which taxes all of the individual's powers and inner resources. We have to prove our worth and justify our existence anew each day. When, for whatever reason, self-esteem is unattainable, the autonomous individual becomes a highly explosive entity. He turns away from an unpromising self and plunges into the pursuit of pride — the explosive substitute for self-esteem. All social disturbances and upheavals have their roots in crises of individual self-esteem, and the great endeavor in which the masses most readily unite is basically a search for pride.

“The pursuit of perfection in art must always be a noble duty to the artist, but... Here [at the Drachenfels ] he feels, more than in any other place, too vividly his inability... Stop it, painter! Just please yourself with the impression it makes on your soul; try, if you can, to keep this impression pure, it will teach you how to create …”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Het streven naar volmaaktheid in den kunst moet den kunstenaar steeds een edelen pligt zijn, maar hier.. .Hier [bij de Drachenfels] gevoelt hij, meer dan op eenige andere plek, te levendig zijn onvermogen.. .Laat af, schilder! Vergenoeg u met den indruk dien het op uwe ziel maak; tracht, zo ge kunt, dezen rein te bewaren, het zal u leren scheppen..
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 121

“It is through art, and through art only, that we can realize our perfection; through art and art only that we can shield ourselves from the sordid perils of actual existence.”

Oscar Wilde (1854–1900) Irish writer and poet

The Critic as Artist (1891), Part II

“A universal spiritual art would be art that any person would recognize as having a spiritual intention. It could speak to the heart and soul of the individual and orient them toward the greater aspect of their own being, their interconnectedness with all life and the cosmos. A universal spiritual art would return the viewer to their own ultimate identity, which lies beyond representation, but can be pointed to when our inspired visions are brilliantly transmitted. The challenge to artists today is to integrate the vast history of art from as many cultures as possible, to reach deep inside themselves for their own personal insights into the transcendental and allow this to coalesce into the most powerful imagery possible.”

Alex Grey (1953) American artist

High Times interview (2002)

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Bill Evans5

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