“Don't mix wine and women, Doro.”
Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator
Source: The Beach (1941), Chapter 2, p. 13
The Singer, in The Caucasian Chalk Circle (1944), Prologue
“Don't mix wine and women, Doro.”
Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator
Source: The Beach (1941), Chapter 2, p. 13
Will Gompertz (1965) British journalist
Think Like an Artist (2015)
Ernest Hemingway book The Sun Also Rises
Count Mippipopolous, in Book 1, Ch. 7
Source: The Sun Also Rises (1926)
Kent Hovind (1953) American young Earth creationist
Dissertation for doctor of philosophy in christian education (May 25, 1991)
Anaïs Nin (1903–1977) writer of novels, short stories, and erotica
Source: The Diary of Anaïs Nin, Vol. 1: 1931-1934
P. L. Travers (1899–1996) Australian-British novelist, actress and journalist
The Paris Review interview (1982)
Context: You know C. S. Lewis, whom I greatly admire, said there’s no such thing as creative writing. I’ve always agreed with that and always refuse to teach it when given the opportunity. He said there is, in fact, only one Creator and we mix. That’s our function, to mix the elements He has given us. See how wonderfully anonymous that leaves us? You can’t say, “I did this; this gross matrix of flesh and blood and sinews and nerves did this.” What nonsense! I’m given these things to make a pattern out of. Something gave it to me.
I’ve always loved the idea of the craftsman, the anonymous man. For instance, I’ve always wanted my books to be called the work of Anon, because Anon is my favorite literary character. If you look through an anthology of poems that go from the far past into the present time, you’ll see that all the poems signed “Anon” have a very specific flavor that is one flavor all the way through the centuries. I think, perhaps arrogantly, of myself as “Anon.” I would like to think that Mary Poppins and the other books could be called back to make that change. But I suppose it’s too late for that.