“Let us watch this de Kooning [leading Abstract-Expressionist painter in New York] with his prematurely white hair making his great sleepwalker's movements, as though he was waiting in a dream to open bays of Biscay, to explode islands like pieces of orange or Parma violets, to tear continents from a cerulean blue split by oceans of Naples yellow.... if by good or by ill fortune, in the middle of this Dionysian demiurg the image of 'The Eternal Feminine should appear.. the least that might have happened to her would be that she should emerge (from all this chaos) wearing nothing but a little make-up.”

— Salvador Dalí

Dali's comment on the 'Woman-paintings', c. 1960 [a.o. Woman-III ] of the American abstract-expressionist painter Willem de Kooning: (MPC 75); as cited in Dali and Me, Catherine Millet, (translated by Trista Selous), Scheidegger & Spiess AG, 8001 Zurich Switzerland, p. 135
Quotes of Salvador Dali, 1951 - 1960

Adopted from Wikiquote. Last update June 3, 2021. History

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Salvador Dalí117

Spanish artist 1904–1989

Robert Motherwell (1915–1991) American artist

first published in 'Metro', 1962; as cited in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 80
1960s, Interview with David Sylvester', (1960)

“The potential of the average person is like a huge ocean unsailed, a
new continent unexplored, a world of possibilities waiting to be
released and channeled toward some great good.”

Brian Tracy (1944) American motivational speaker and writer

“Willem de Kooning, they say, lost his memory. He lost his worldly memory. He lost the names of the people, he lost their faces... This is one of the reasons he paints as a real painter.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

“The important thing is that Clyff Still – you know his work? – and Rothko, and I – we've changed the nature of painting… I don't mean there aren't any other good painters. Bill [ Willem the Kooning ] is a good painter, but he's a 'French' painter [Pollock meant: a French-abstract style]. I told him so, the last time I saw him after his last show,… all those pictures in his last show start with an image. You can see it even though he's covered it up, or tried to…. Style – that's the French part of it. He has to cover it up with style.. [answering Seldon Rodman's question]”

Jackson Pollock (1912–1956) American artist

In an interview (1956); published in Conversations with Artists, by Seldon Rodman, New York, Capricorn Books, 1961, pp. 84-85
1950's

“There is no blue without yellow and without orange, and if you put in blue, then you must put in yellow, and orange too, mustn't you?”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

In a letter to Émile Bernard, from Arles, June 1888, in 'Van Gogh's Letters', http://www.webexhibits.org/vangogh/letter/18/B06.htm <br class="br">1880s, 1888 <br class="br">Context: There is no blue without yellow and without orange, and if you put in blue, then you must put in yellow, and orange too, mustn't you? Oh well, you will tell me that what I write to you are only banalities.

“Neo-Impressionist method is an attempt is made to achieve the richness of the sunlight spectrum with all its tones. An orange that blends with yellow and red, a violet that tends toward red and blue, a green between blue and yellow are, with white the sole elements. Through mixture (in the eye of the observer) of these pure colours, whose relationship can be varied at will, from the most brilliant to the greyish. Every brush stroke that is taken from the palette remains pure on the canvas.”

Paul Signac (1863–1935) French painter

From Delacroix to Neo-Impressionism, 1899

“He should be thrown alive to the crocodiles! An anaconda should strangle him slowly! A poisonous spider should sting him and paralyze his lungs! The most venomous serpent should bite him and make his brain explode! No — panther claws should rip open his throat — that would be much too good for him! Huge red ants should piss into his lying eyes and gobble up his balls and his guts! He should catch the plague! Syphilis! Yellow fever! Leprosy! It's no use; the more I wish him the most gruesome deaths, the more he haunts me.”

Klaus Kinski (1926–1991) German actor

On Werner Herzog, p. 220-21
Kinski Uncut : The Autobiography of Klaus Kinski (1996)

“Opposites are:
for tone, a more luminous/lighter one for a darker one.
for tint, the complementaries, that is, a certain red opposed to its complementary, etc.
Red — Green
Orange — Blue
Yellow — Violet
for line, those making a right angle.”

Georges Seurat (1859–1891) French painter

Quotes, 1881 - 1890, Letter to Maurice Beaubourg', August 1890

“The occupation of the stock-jobber yields no new or useful product; consequently having no product of his own to give in exchange, he has no revenue to subsist upon, but what he contrives to make out of the unskilfulness or ill-fortune of gamesters like himself.”

Jean-Baptiste Say (1767–1832) French economist and businessman

Source: A Treatise On Political Economy (Fourth Edition) (1832), Book III, On Consumption, Chapter IX, p. 481 (See also: Karl Marx, Capital, Volume III, Chapter XXVII, p. 440)

“It is not to be wondered that men have worshiped the ocean, for in his depths they have seen mirrored the image of Eternity — of Infinity. Here they have seen the symbol of God's great plan of oneness with His creatures, for the sea is the union of all infinite particles, and it takes the whole to make the one.”

Elbert Hubbard (1856–1915) American writer, publisher, artist, and philosopher fue el escritor del jarron azul

"The Sea" in The Philosophy of Elbert Hubbard (1916), p. 169.

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