“I don’t think man was meant to attain happiness so easily. Happiness is like those palaces in fairy tales whose gates are guarded by dragons: we must fight in order to conquer it.”
Source: The Count of Monte Cristo
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Alexandre Dumas 123
French writer and dramatist, father of the homonym writer a… 1802–1870Related quotes
Campbell follows with a quote from Ovid's Metamorposes, "All things are changing; nothing dies..."
Chapter 2
The Hero with a Thousand Faces (1949)
Context: The happy ending of the fairy tale, the myth, and the divine comedy of the soul, is to be read, not as a contradiction, but as a transcendence of the universal tragedy of man.... Tragedy is the shattering of the forms and of our attachment to the forms... the two are the terms of a single mythological theme... the down-going and the up-coming (kathados and anodos), which together constitute the totality of the revelation that is life, and which the individual must know and love if he is to be purged (katharsis=purgatorio) of the contagion of sin (disobedience to the divine will) and death (identification with the mortal form).
Often misattributed to but inspired by GK Chesterton:
Fairy tales do not give the child his first idea of bogey. What fairy tales give the child is his first clear idea of the possible defeat of bogey. The baby has known the dragon intimately ever since he had an imagination. What the fairy tale provides for him is a St. George to kill the dragon.
Coraline (2002)
“I thought love was only true in fairy tales
Meant for someone else but not for me …”
I'm a Believer, first performed by The Monkees in 1966
Song lyrics, Just for You (1967)
A Mortal Antipathy (1885) This statement is often misquoted as "Love is the master-key that opens the gates of happiness".
Dream Days (1898), The Reluctant Dragon
Context: Banquets are always pleasant things, consisting mostly, as they do, of eating and drinking; but the specially nice thing about a banquet is, that it comes when something's over, and there's nothing more to worry about, and to-morrow seems a long way off. St George was happy because there had been a fight and he hadn't had to kill anybody; for he didn't really like killing, though he generally had to do it. The dragon was happy because there had been a fight, and so far from being hurt in it he had won popularity and a sure footing in society. The Boy was happy because there had been a fight, and in spite of it all his two friends were on the best of terms. And all the others were happy because there had been a fight, and — well, they didn't require any other reasons for their happiness.