Source: Stillness Speaks (2003), Chapter 2 Beyond the Thinking Mind
“In our view this condition points to a deep and pervasive defect in the process of human thought.”
Dialogue: A Proposal (1991) http://www.david-bohm.net/dialogue/dialogue_proposal.html David Bohm, Don Factor, and Peter Garrett
Collaborations with others
Context: Dialogue, as we are choosing to use the word, is a way of exploring the roots of the many crises that face humanity today. It enables inquiry into, and understanding of, the sorts of processes that fragment and interfere with real communication between individuals, nations, and even different parts of the same organization. In our modern culture men and women are able to interact with one another in many ways: they can sing, dance, or play together with little difficulty, but their ability to talk together about subjects that matter deeply to them seems invariably to lead to dispute, division, and often to violence. In our view this condition points to a deep and pervasive defect in the process of human thought.
Interview (23 September 1966), published posthumously in Der Spiegel (31 May 1976), as translated by Maria P. Alter and John D. Caputo in The Heidegger Controversy : A Critical Reader (1991), edited by Richard Wolin.
Context: Philosophy will not be able to effect an immediate transformation of the present condition of the world. This is not only true of philosophy, but of all merely human thought and endeavor. Only a god can save us. The sole possibility that is left for us is to prepare a sort of readiness, through thinking and poeticizing, for the appearance of the god or for the absence of the god in the time of foundering [Untergang] for in the face of the god who is absent, we founder. Only a God Can Save Us.
Introduction : The absurdity of the Absurd
The Theatre of the Absurd (1961)
Context: The Theatre of the Absurd strives to express its sense of the senselessness of the human condition and the inadequacy of the rational approach by the open abandonment of rational devices and discursive thought. While Sartre or Camus express the new content in the old convention, the Theatre of the Absurd goes a step further in trying to achieve a unity between its basic assumptions and the form in which these are expressed. In some senses, the theatre of Sartre and Camus is less adequate as an expression of the philosophy of Sartre and Camus — in artistic, as distinct from philosophic, terms — than the Theatre of the Absurd.
“There are no "human" oppressors. Oppressors have lost their humanity.”
"Man – and Woman" in Vermont Freeman (Mid-February 1972)
1970s
Context: There are no "human" oppressors. Oppressors have lost their humanity. On one hand "slavishness," on the other hand "pigness." Six of one, half dozen of the other. Who wins?
Many women seem to be walking a tightrope now. Their qualities of love, openness, and gentleness were too deeply enmeshed with qualities of dependency, subservience, and masochism. How do you love — without being subservient? How do you maintain a relationship without giving up your identity and without getting strung out? How do you reach out and give your heart to your lover, but maintain the soul which is you?
“Learning without thought is labor lost; thought without learning is perilous.”
Book II, Chapter XV.
Source: The Analects, Other chapters
“There's no victory-condition for being human.”
Slashdot Interview http://entertainment.slashdot.org/story/13/12/23/157257/interview-bruce-sterling-answers-your-questions.
