Quotes about help and support

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“You know the affection I have always had for you Boudin and also the gratitude. I have never forgotten that you were the first who taught me to see and to comprehend.”

Claude Monet (1840–1926) French impressionist painter

Quote in a letter to Boudin, 1892; as cited in Monet and His Muse: Camille Monet in the Artist's Life, Mary Mathews Gedo; University of Chicago Press, Sept. 2010, p. 10
1890 - 1900

“Once settled, I hope to produce masterpieces, because I like the countryside very much.”

Claude Monet (1840–1926) French impressionist painter

in a letter to Paul Durand-Ruel: as quoted in: Daniel Wildensteijn "Monet's Giveny" in: Monet's Years at Giverny: Beyond Impressionism http://books.google.nl/books?id=H76Nl_fNgOUC, (1978) p. 16: About the countryside in Giverny <br class="br">1870 - 1890

“My dear Pissarro, Forgive me for not answering your first letter earlier, but I 'm starting to work full steam ahead and have hardly any time. I received your second letter this morning and I see that you are going to great pains on my behalf and getting nowhere: I'm sorry to be giving you so much trouble; so drop the whole thing, and I'll ask Durand-Ruel if he could see to it for me, he might be able to get rid of these damn frames.
I see that you are definitely going to leave that delightful country for good. Where are you going to, Paris or Louveciennes? I hope you'll write and let me know…”

Claude Monet (1840–1926) French impressionist painter

in a letter from Zaandam, The Netherlands, to Camille Pissarro (still in England), 17 June 1871; Cited in: Marianne Alphant (1994), Claude Monet en Holland, p. 87
1870 - 1890

“I have at last found a suitable spot and settled her. I have already spend a few days working and started eight canvases, which I hope, if the weather favours me, will give an idea of Norway and the environs of Christiania... This morning I was painting under constant falling snow. You would have burst out laughing seeing me white all over, my beard overgrown with icicles.”

Claude Monet (1840–1926) French impressionist painter

in his letter from Sandviken to Gustave Geffroy, late January 1895; (Geoffrey, 1922, vol 2 pp. 87-88); as cited in: Nathalia Brodskaya, Claude Monet, 2011, p. 106
Similar translation:
One should live here for a year in order to accomplish something of value, and that is only after having seen and gotten to know the country. I painted today, a part of the day, in the snow, which falls endlessly. You would have laughed if you could have seen me completely white, with icicles hanging from my beard like stalactites.
1890 - 1900
Source: Claude Monet, ‎Charles F. Stuckey (1985) Monet: a retrospective, p. 169

“It took me a long time to understand my water lilies... I planted them for pleasure, and grew them without thinking of painting them.. You don't absorb a landscape in a day... And then, all of a sudden, I had the revelation of the enchantment of my pond. I took up my palette.”

Claude Monet (1840–1926) French impressionist painter

in Marc Elder, A Giverny, chez Claude Monet (1924); as quoted in: Vivian Russell (1998) Monet's Water Lilies: The Inspiration of a Floating World. p. 19
1920 - 1926

“I could not appreciate his [ Boudin ] paintings and when he offered to take me with him to paint outdoors in the open countryside, I always found a pretext and refused politely. But when summer came, I was more or less free to dispose of my time as I wished and I had no feasible excuse left to give him and gave in. Thus it was, that Boudin - with his inexhaustible kindness - took it upon himself to educate me. With time, my eyes began to open and I really started to understand nature. I also learned to love it. I would analyze its forms with my pencil. I would study its colorations.”

Claude Monet (1840–1926) French impressionist painter

quote from an interview Claude Monet par lui-meme, by Thiébault-Sisson / translated by Louise McGlone Jacot-Descombes; published in 'Le Temps newspaper', 26 November 1900
about Eugène Boudin, who was landscape-painting in and around Le Havre c. 1856; Monet was 16 years old, then
1900 - 1920

“I was thinking of preparing my palette and my brushes to resume work, but relapses and further bouts of pain prevented it. I'm not giving up that hope and am occupying myself with some major alterations in my studios and plans to perfect the garden [in Giverny ]. All this to show you that, with courage, I'm getting the upper hand.”

Claude Monet (1840–1926) French impressionist painter

three months before Monet died
Quote from Monet's letter to Georges Clemenceau, Sept. 1926; as cited in: K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 79
1920 - 1926

“A group of painters assembled in my home, read with pleasure the article you published in 'L'Avenir national'. We are all very pleased to see you defend ideas which are also ours, and we hope that, as you say, 'L'Avenir national' will kindly lend us its support when the Society we are in the process of forming is finally established.”

Claude Monet (1840–1926) French impressionist painter

in a Letter to , May 1873; as quoted by Sue Roe, The private live of the Impressionists, Harper Collins Publishers, New York, 2006, p. 120
the coming impressionists are starting to form a new artist-group, to organize an independent and concurrent exhibition, as an alternative exhibition for the official yearly (rather classical) Paris Salon
1870 - 1890

“I hope that Cezanne will still be here and that he will join us, but he is so shy, so afraid of meeting new people, that I am afraid that he might let us down, even though he wants very much to meet you. How sad it is that this man hasn't had more patronage in his life! This is a true artist who has come to doubt himself far too much. He needs to be cheered up, so e was quote touched by your article.”

Claude Monet (1840–1926) French impressionist painter

Quote in a letter from Giverny to Gustave Geffroy, 23 November 1894; as cited in: P. Michael Doran (2001), ‎Art Conversations with Cézanne, p. 3
1890 - 1900

“Everyone discusses my art and pretends to understand, as if it were necessary to understand, when it is simply necessary to love.”

Claude Monet (1840–1926) French impressionist painter

“Knotty theological questions are the least worrying of problems to me. Why? Because they will be resolved in the hereafter, and meanwhile they can be safely shelved.”

Ken Follett book The Pillars of the Earth

Source: The Pillars of the Earth

“Patience is the art of hoping.”

Luc de Clapiers, Marquis de Vauvenargues (1715–1747) French writer, a moralist

La patience est l’art d’espérer.
Source: Reflections and Maxims (1746), p. 180.

“What else is the help of medicine than love?”

Paracelsus (1493–1541) Swiss physician and alchemist

Paracelsus - Doctor of our Time (1992)

“One day he said: For the soul there is a satisfaction of a higher type; the material is not at all necessary. Whether I apply mathematics to a couple of clods of dirt, which we call planets, or to purely arithmetical problems, it s just the same; the latter have only a higher charm for me.”

Carl Friedrich Gauss (1777–1855) German mathematician and physical scientist

Carl Friedrich Gauss: Titan of Science (1955) by Guy Waldo Dunnington. p. 348

“Help me find some shoes I really like. Help me also to find a nymphomaniac coke connection who owns a Ferrari dealership.”

George Carlin (1937–2008) American stand-up comedian

Carlin on Campus (1984)

“Life is suffering, and suffering can make you resentful, murderous, and then genocidal, if you take it far enough. So you need an antidote to suffering. And maybe you think that you can build walls of luxury around yourself, and that that will protect you from the suffering. Good luck with that. That isn't going to work. Maybe you think that you could build a delusion and live inside that. Well, that's going to fall apart. What is there, then, that's going to help you fight against suffering? That's easy: It's the Truth. The Truth is the antidote to suffering. The reason for that is because the Truth puts reality behind you, so that you can face the reality that's coming straight at you without becoming weak and degenerating and becoming resentful and wishing for the destruction of Being, because that's the final Hell. The final Hell is your soul wishing for the destruction of everything, because it's too painful, and you're too bitter. And that happens to people all the time.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Other

“I would say the less realistic basis for a vision of the uncrippled man and of a free society there is, the more is Utopia the only legitimate form of expressing hope.”

Erich Fromm (1900–1980) German social psychologist and psychoanalyst

Human Nature and Social Theory (1969)
Context: What about the utopian thinkers of all ages, from the Prophets who had a vision of eternal peace, on through the Utopians of the Renaissance, etc.? Were they just dreamers? Or were they so deeply aware of new possibilities, of the changeability of social conditions, that they could visualize an entirely new form of social existence even though these new forms, as such, were not even potentially given in their own society? It is true that Marx wrote a great deal against utopian socialism, and so the term has a bad odor for many Marxists. But he is polemical against certain socialist schools which were, indeed, inferior to his system because of their lack of realism. In fact, I would say the less realistic basis for a vision of the uncrippled man and of a free society there is, the more is Utopia the only legitimate form of expressing hope. But they are not trans-historical as, for instance, is the Christian idea of the Last Judgment, etc. They are historical, but the product of rational imagination, rooted in an experience of what man is capable of and in a clear insight into the transitory character of previous and existing society.

“Chess problems are the hymn-tunes of mathematics.”

G. H. Hardy book A Mathematician's Apology

A Mathematician's Apology (1941)

“I am obliged to interpolate some remarks on a very difficult subject: proof and its importance in mathematics. All physicists, and a good many quite respectable mathematicians, are contemptuous about proof. I have heard Professor Eddington, for example, maintain that proof, as pure mathematicians understand it, is really quite uninteresting and unimportant, and that no one who is really certain that he has found something good should waste his time looking for proof.”

G. H. Hardy (1877–1947) British mathematician

Source: Ramanujan (1940), Ch. I : The Indian mathematician Ramanujan.

“He could remember the idiosyncrasies of numbers in an almost uncanny way. It was Littlewood who said that every positive integer was one of Ramanujan's personal friends. I remember once going to see him when he was ill at Putney. I had ridden in taxi cab number 1729 and remarked that the number seemed to me rather a dull one, and that I hoped it was not an unfavorable omen. "No," he replied, "it is a very interesting number; it is the smallest number expressible as the sum of two cubes in two different ways."”

G. H. Hardy (1877–1947) British mathematician

Source: Ramanujan (1940), Ch. I : The Indian mathematician Ramanujan.