“Art does not reproduce what we see. It makes us see.”
Section I
(de) Kunst gibt nicht das Sichtbare wieder, sondern macht sichtbar.
1916 - 1920, Creative Credo (1920)
Variant: Art does not reproduce the visible; rather, it makes visible.
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Paul Klee104
German Swiss painter 1879–1940Related quotes
Arthur Wesley Dow (1857–1922) painter from the United States
"Talks on the Appreciation of Art", The Delinator (Jan 1915)
Other
George Bernard Shaw Back to Methuselah
The She-Ancient, in Pt. V
Source: 1920s, Back to Methuselah (1921)
Context: Art is the magic mirror you make to reflect your invisible dreams in visible pictures. You use a glass mirror to see your face: you use works of art to see your soul. But we who are older use neither glass mirrors nor works of art. We have a direct sense of life. When you gain that you will put aside your mirrors and statues, your toys and your dolls.
“Life is what we make of it. Travel is the traveler. What we see isn't what we see but what we are.”
Fernando Pessoa book The Book of Disquiet
Original: (pt) Viajar? Para viajar basta existir. [...] Para quê viajar? Em Madrid, em Berlim, na Pérsia, na China, nos Pólos ambos, onde estaria eu senão em mim mesmo, e no tipo e género das minhas sensações?
A vida é o que fazemos dela. As viagens são os viajantes. O que vemos não é o que vemos, senão o que somos.
Source: The Book of Disquiet, p. 360
Context: To travel? In order to travel it's enough to be. […] Why travel? In Madrid, in Berlin, in Persia, in China, at the Poles both, where would I be but in myself, and in the sort and kind of my sensations?
Life is what we make of it. Travels are travellers. What we see is not what we see but what we are.
Gerhard Richter (1932) German visual artist, born 1932
Source: after 2000, Doubt and belief in painting' (2003), p. 51, note 60
“What is art but a way of seeing?”
Saul Bellow (1915–2005) Canadian-born American writer
Thomas Berger, in Being Invisible (1967)
Misattributed
Northrop Frye (1912–1991) Canadian literary critic and literary theorist
“Design as a Principle in the Arts”, The Critical Path and Other Writings on Critical Theory, 1963–1975, p. 232
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