“The truth always carries the ambiguity of the words used to express it.”

No. 175 (19 November 1751)
The Rambler (1750–1752)

Japanese Death Poems. Compiled by Yoel Hoffmann. ISBN 978-0-8048-3179-6

Source: Sculpting in Time (1986), p. 113
Context: Art is realistic when it strives to express an ethical ideal. Realism is striving for truth, and truth is always beautiful. Here the aesthetic coincides with the ethical.

Source: Beyond Apollo (1972), Chapter 16

Source: A Farewell to Arms (1929), Ch. 27
Context: I was always embarrassed by the words sacred, glorious and sacrifice and the expression in vain. We had heard them, sometimes standing in the rain almost out of earshot, so that only the shouted words came through, and had read them, on proclamations that were slapped up by billposters over other proclamations, now for a long time, and I had seen nothing sacred, and the things that were glorious had no glory and the sacrifices were like the stockyards at Chicago if nothing was done with the meat except to bury it.

Die Leute beklagen sich gewöhnlich, die Musik sei so vieldeutig; es sei so zweifelhaft, was sie sich dabei zu denken hätten, und die Worte verstände doch ein Jeder. Mir geht es aber gerade umgekehrt. Und nicht blos mit ganzen Reden, auch mit einzelnen Worten, auch die scheinen mir so vieldeutig, so unbestimmt, so mißverständlich im Vergleich zu einer rechten Musik, die einem die Seele erfüllt mit tausend besseren Dingen als Worten. Das, was mir eine Musik ausspricht, die ich liebe, sind mir nicht zu unbestimmte Gedanken, um sie in Worte zu fassen, sondern zu bestimmte.
Letter to Marc-André Souchay, October 15, 1842, cited from Briefe aus den Jahren 1830 bis 1847 (Leipzig: Hermann Mendelssohn, 1878) p. 221; translation from Felix Mendelssohn (ed. Gisella Selden-Goth) Letters (New York: Pantheon, 1945) pp. 313-14.

February 1985, as a prosecution witness in the case against Clive Ponting Norton-Taylor, Richard. 'Sir Richard Mottram http://politics.guardian.co.uk/byers/story/0,11320,656525,00.html, The Guardian (25 February 2002).

Sometimes quoted in grammatically corrected form as "They always become a little different immediately after they are expressed..." but the apparent editing error here is retained in the published versions of this translation.
Siddhartha (1922)
Context: Words do not express thoughts very well. They always become a little different immediately after they are expressed, a little distorted, a little foolish. And yet it also pleases me and seems right that what is of value and wisdom to one man seems nonsense to another.

Siddhartha (1922)
Context: Everything that is thought and expressed in words is one-sided, only half the truth; it all lacks totality, completeness, unity. When the Illustrious Buddha taught about the world, he had to divide it into Samsara and Nirvana, illusion and truth, into suffering and salvation. One cannot do otherwise, there is no other method for those who teach. But the world itself, being in and around us, is never one-sided. Never is a man or a deed wholly Samsara or wholly Nirvana; never is a man wholly a saint or a sinner. This only seems so because we suffer the illusion that time is something real.