“The voice so filled with nostalgia that you could almost see the memories floating through the blue smoke, memories not only of music and joy and youth, but perhaps, of dreams. They listened to the music, each hearing it in his own way, feeling relaxed and a part of the music, a part of each other, and almost a part of the world.”

Source: Requiem for a Dream

Last update June 3, 2021. History

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Hubert Selby Jr.39

American writer 1928–2004

Anselm Kiefer (1945) German painter and sculptor

the Second World War
n.p.
Tim Marlow joins Anselm Kiefer to discuss his work' - 2005

“[Is "90 Millas" another crossover -- into World Music? ] I can see that. The core is African rhythm -- half of the world's music comes from that. The difference between our music and American blues: Cubans may have been slaves, but in Cuba slaves became part of the family. They could buy their freedom. And they are Island people. And Island people are happier. But, you know, in the '80s, when we released "Conga," wasn't that World Music? Everywhere we went, people got it. And why? The drums. So maybe all music is World Music, and the only question is: Do you like it?”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

“My music cannot possibly have given you one hundredth part of the joy your music has given me.”

Edward German (1862–1936) English musician and composer

Edward Elgar, in a letter to German (1924)

“It was as if by becoming a musician and Music Master he had chosen music as one of the ways toward man's highest goal, inner freedom, purity, perfection, and as though ever since making that choice he has done nothing but let himself be more and more permeated, transformed, purified by music — his entire self from his nimble, clever pianist's hands and his vast, well-stocked musician's memory to all the parts and organs of body and soul, to his pulses and breathing, to his sleep and dreaming — so that he was now only a symbol, or rather a manifestation, a personification of music.”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)

“They kissed each other with a deep joy.
What greater thing is there for two human souls, than to feel that they are joined for life — to strengthen each other in all labour, to rest on each other in all sorrow, to minister to each other in all pain, to be one with each other in silent unspeakable memories at the moment of the last parting?”

George Eliot book Adam Bede

Adam Bede (1859)

“A. No matter what you do, you're always hearing something.
Q. You mean to say that all of the accidental environmental sounds that surround the piece become a part of the realization of the score?
A. Yes, that's right.
Q. In that case, even the chairs are musical?
A. Yes. In fact, there is perhaps nothing that is not musical. Perhaps there's no moment in life that's not musical.”

George Brecht (1926–2008) American artist and composer

Source: James Fitzsimmons, ‎Jim Fitzsimmons (1967). Art International. Vol. 11. p. 24

“The music was like the memory of joys that are past, pleasant and mournful to the soul.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

"The Death of Cuthullin"
The Poems of Ossian

“Our first appreciation of music comes through the sounds of the mother, especially her voice and her lullaby. Our earliest musical expression, of which speech is a part, is in a sense a duet with her. And later in life we should still be able to discern the voice of love in the music.”

John Diamond (doctor) (1934) Australian doctor

Source: The Life Energy in Music, Vol. 1 (1981), p. 25

“Listen intently to a voice singing without words. It may charm you into crying, force you to dance, fill you with rage, or make you jump for joy. You can't tell where the music ends and the emotions begin, for the whole thing is a kind of music—the voice playing on your nerves as the breath plays on a flute. All experience is just that, except that its music has many more dimensions than sound. It vibrates in the dimensions of sight, touch, taste, and smell, and in the intellectual dimension of symbols and words—all evoking and playing upon each other.”

Alan Watts (1915–1973) British philosopher, writer and speaker

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 95

“I could bear the memory, but I could not bear the music that made the memory such a killing thing.”

Pat Conroy book Beach Music

Source: Beach Music

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Hubert Selby Jr.39

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