“No one has more than a given number of minutes... in which he can work, and no matter how great his ability he will soon find his limitations. If, however, he uses that ability in finding and teaching others as capable as himself, or in certain details even more so, the limits to his sphere of operations are hard to set.”

— Harry Gordon Selfridge

The Romance of Commerce (1918), A Representative Business of the Twentieth Century

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "No one has more than a given number of minutes... in which he can work, and no matter how great his ability he will soo…" by Harry Gordon Selfridge?

Harry Gordon Selfridge 23

America born English businessman 1858–1947

Related quotes

“He was marked out by his relentless ability to find fault with others' mediocrity--suggesting that a certain type of intelligence may be at heart nothing more or less than a superior capacity for dissatisfaction.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), p. 284.
Context: It appeared that the one area in which Sir Bob excelled was anxiety. He was marked out by his relentless ability to find fault with others’ mediocrity—suggesting that a certain kind of intelligence may at heart be nothing more or less than a superior capacity for dissatisfaction.

“A person should set his goals as early as he can and devote all his energy and talent to getting there. With enough effort, he may achieve it. Or he may find something that is even more rewarding. But in the end, no matter what the outcome, he will know he has been alive.”

Walt Disney (1901–1966) American film producer and businessman

As quoted in Walt Disney, Magician of the Movies (1966) by Bob Thomas p. 116

“Each day of not writing, of comfort, of being that which he despised, dulled his ability and softened his will to work so that, finally, he did no work at all.”

Ernest Hemingway (1899–1961) American author and journalist

Source: The Snows of Kilimanjaro and Other Stories

“The man who is in love with his work will not degrade it for his customer, but while satisfying his customer will honour himself. Thus his desires will be ordered so that he puts working towards finding and following his calling first, and pleasing his customers, second. By this his customers will gain, for he will give of his best; but he will gain more, for he will be laying the foundation of a full life’. This requires great confidence.”

Leon MacLaren (1910–1994) British philosopher

Leon MacLaren, Nature of Society and Other Essays

“How is a man to find where he belongs in life? The more original he is, the less likely is he to find his place prepared for him. He must not expect to see from the beginning what mould his life will take… The power to work on faith is what distinguishes great men.”

Charles Cooley (1864–1929) American sociologist

Source: Human Nature and the Social Order, 1902, p. 111

“For the musician, before he has begun his work, all is in readiness so that the operation of his creative spirit may find, right from the start, the appropriate matter and means, without any possibility of error.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Originally delivered as a lecture (late 1927); Pure Poetry: Notes for a Lecture The Creative Vision (1960)
Context: For the musician, before he has begun his work, all is in readiness so that the operation of his creative spirit may find, right from the start, the appropriate matter and means, without any possibility of error. He will not have to make this matter and means submit to any modification; he need only assemble elements which are clearly defined and ready-made. But in how different a situation is the poet! Before him is ordinary language, this aggregate of means which are not suited to his purpose, not made for him. There have not been physicians to determine the relationships of these means for him; there have not been constructors of scales; no diapason, no metronome, no certitude of this kind. He has nothing but the coarse instrument of the dictionary and the grammar. Moreover, he must address himself not to a special and unique sense like hearing, which the musician bends to his will, and which is, besides, the organ par excellence of expectation and attention; but rather to a general and diffused expectation, and he does so through a language which is a very odd mixture of incoherent stimuli.