On the issue of her publicity in "Korea's Kafka? Man Booker winner Han Kang on why she turns a woman into a plant" in Deutsche Welle (September 12, 2016) https://www.dw.com/en/koreas-kafka-man-booker-winner-han-kang-on-why-she-turns-a-woman-into-a-plant/a-19543017
“I’ve tried hard…I don’t know … my experience of my own dad and my own ex-husband possibly has some effect. I will remedy this. It is very unfair. I have tried harder, but I just can’t quite get there yet.”
On why the lack of positive father figures in her novels in “Jacqueline Wilson: 'I've never really been in any kind of closet'” https://www.theguardian.com/books/2020/apr/04/jacqueline-wilson-ive-never-really-been-in-any-kind-of-closet in The Guardian (2020 Apr 4)
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Jacqueline Wilson 6
novelist 1945Related quotes
Kellyanne Conway tells The Post she feels ‘blessed’ over White House gig http://nypost.com/2016/11/13/kellyanne-conway-tells-the-post-she-feels-blessed-over-white-house-gig/ (November 13, 2016)
Interview http://www.ventures-africa.com/2013/04/africas-newest-billionaire-ugandan-tycoon-builds-1-1b-fortune-from-the-ground-up/ with Ventures Africa (2013)
“The world isn't fair, Calvin."
"I know Dad, but why isn't it ever unfair in my favor?”
The Essential Calvin and Hobbes
Source: The Essential Calvin and Hobbes: A Calvin and Hobbes Treasury
On the possible key to her career longevity in “The King of Queens: How Regina King Became A Hollywood Legend” https://www.essence.com/feature/regina-king-december-cover-star-interview/ in Essence Magazine (2019 Nov 20)
“I am my own experiment. I am my own work of art.”
http://www.girlscantwhat.com/2007/10/15/i-am-my-own-experiment/
Variant: I am my own experiment. I am my own work of art.
Interview, Jewish Chronicle, 7 March 2008 http://thejc.com/home.aspx?AId58607&ATypeId1&searchtrue2&srchstrLev%20leviev&srchtxt1&srchhead1&srchauthor1&srchsandp1&scsrch0
“I don't know when a film has connected more immediately with my own personal experience.”
Review of The Tree of Life (2 June 2011) http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20110602/REVIEWS/110609998
Reviews, Four star reviews
Context: Terrence Malick's The Tree of Life is a film of vast ambition and deep humility, attempting no less than to encompass all of existence and view it through the prism of a few infinitesimal lives. The only other film I've seen with this boldness of vision is Kubrick's 2001: A Space Odyssey, and it lacked Malick's fierce evocation of human feeling. … I don't know when a film has connected more immediately with my own personal experience. In uncanny ways, the central events of The Tree of Life reflect a time and place I lived in, and the boys in it are me. If I set out to make an autobiographical film, and if I had Malick's gift, it would look so much like this. … There is a father who maintains discipline and a mother who exudes forgiveness, and long summer days of play and idleness and urgent unsaid questions about the meaning of things. … The film's portrait of everyday life, inspired by Malick's memories of his hometown of Waco, Texas, is bounded by two immensities, one of space and time, and the other of spirituality. The Tree of Life has awe-inspiring visuals suggesting the birth and expansion of the universe, the appearance of life on a microscopic level and the evolution of species. This process leads to the present moment, and to all of us. We were created in the Big Bang and over untold millions of years, molecules formed themselves into, well, you and me.
And what comes after? In whispered words near the beginning, "nature" and "grace" are heard. … The film's coda provides a vision of an afterlife, a desolate landscape on which quiet people solemnly recognize and greet one another, and all is understood in the fullness of time.