“If communication takes place between the artwork and the public, it is on the level of sensibility, through the emotions and their immanent modifications. It does not have anything to do with words, with collective, ideological or scientific representations, or with their critical, intellectual or literary formulations, in short, anything that is called culture. It is totally independent from that type of culture. This is why it is addressed to the group of people who ‘lack culture’. It is popular in the sense that it leads to what is most essential in each human being: one’s capacity to feel, to suffer and to love.”

— Michel Henry

Michel Henry, Seeing the invisible: On Kandinsky, Continuum, 2009, p. 73
Books on Culture and Barbarism, Seeing the Invisible: On Kandinsky (1988)

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Michel Henry 45

French writer 1922–2002

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