
The Autocrat of the Breakfast Table (1858)
L'honnête homme, détrompé de toutes les illusions, est l'homme par excellence. Pour peu qu'il ait d'esprit, sa société est très aimable. Il ne saurait être pédant, ne mettant d'importance à rien. Il est indulgent, parce qu'il se souvient qu'il a eu des illusions, comme ceux qui en sont encore occupés. C'est un effet de son insouciance d'être sûr dans le commerce, de ne se permettre ni redites, ni tracasseries. Si on se les permet à son égard, il les oublie ou les dédaigne. Il doit être plus gai qu'un autre, parce qu'il est constamment en état d'épigramme contre son prochain. Il est dans le vrai et rit des faux pas de ceux qui marchent à tâtons dans le faux. C'est un homme qui, d'un endroit éclairé, voit dans une chambre obscure les gestes ridicules de ceux qui s'y promènent au hasard. Il brise, en riant, les faux poids et les fausses mesures qu'on applique aux hommes et aux choses.
Maximes et Pensées, #339
Maxims and Considerations, #339
The Autocrat of the Breakfast Table (1858)
God and the State (1871; publ. 1882)
Context: A person is strong only when he stands upon his own truth, when he speaks and acts from his deepest convictions. Then, whatever the situation he may be in, he always knows what he must say and do. He may fall, but he cannot bring shame upon himself or his cause. If we seek the liberation of the people by means of a lie, we will surely grow confused, go astray, and lose sight of our objective, and if we have any influence at all on the people we will lead them astray as well — in other words, we will be acting in the spirit of reaction and to its benefit.
the first lines in 'Manifesto du Surréalisme', Andre Breton, 1924
Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)
All the President's Men (1974) by Bob Woodward and Carl Bernstein
Persecution and Tolerance, Hulsean Lectures, University of Cambridge (Winter 1893–94)
Speech to the annual dinner of the Yorkshire Society, London (8 November 1933), quoted in This Torch of Freedom (1935), p. 137.
1933
Source: They'd Rather Be Right (1954), p. 187.
The Fantastic Imagination (1893)
Context: "But a man may then imagine in your work what he pleases, what you never meant!"
Not what he pleases, but what he can. If he be not a true man, he will draw evil out of the best; we need not mind how he treats any work of art! If he be a true man, he will imagine true things: what matter whether I meant them or not? They are there none the less that I cannot claim putting them there! One difference between God's work and man's is, that, while God's work cannot mean more than he meant, man's must mean more than he meant. For in everything that God has made, there is layer upon layer of ascending significance; also he expresses the same thought in higher and higher kinds of that thought: it is God's things, his embodied thoughts, which alone a man has to use, modified and adapted to his own purposes, for the expression of his thoughts; therefore he cannot help his words and figures falling into such combinations in the mind of another as he had himself not foreseen, so many are the thoughts allied to every other thought, so many are the relations involved in every figure, so many the facts hinted in every symbol. A man may well himself discover truth in what he wrote; for he was dealing all the time with things that came from thoughts beyond his own.