“So the wise man will develop virtue, if he may, in the midst of wealth, or, if not, in poverty; if possible, in his own country—if not, in exile; if possible, as a commander—if not, as a common soldier; if possible, in sound health—if not, enfeebled. Whatever fortune he finds, he will accomplish therefrom something noteworthy.”

"The Present Outcome of Psychoanalysis", p. 196
The Denial of Death (1973)

Babbitt (1922), Ch. 6

Variant: What is the nature of the search? you ask. The search is what anyone would undertake if he were not sunk in the everydayness of his own life. To become aware of the search is to be onto something. Not to be onto something is to be in despair.
Source: The Moviegoer (1961)
Context: To become aware of the possibility of the search is to be onto something. Not to be onto something is to be in despair. The movies are onto the search, but they screw it up. The search always ends in despair. They like to show a fellow coming to himself in a strange place-but what does he do? He takes up with the local librarian, sets about proving to the local children what a nice fellow he is, and settles down with a vengeance. In two weeks time he is so sunk in everydayness that he might just as well be dead.

Speech delivered in Birmingham, Alabama, quoted in the Christian Science Monitor, 27 October 1921, p. 2.
1920s

Source: What is Political Philosophy (1959), p. 68

Originally delivered as a lecture (late 1927); Pure Poetry: Notes for a Lecture The Creative Vision (1960)
Context: For the musician, before he has begun his work, all is in readiness so that the operation of his creative spirit may find, right from the start, the appropriate matter and means, without any possibility of error. He will not have to make this matter and means submit to any modification; he need only assemble elements which are clearly defined and ready-made. But in how different a situation is the poet! Before him is ordinary language, this aggregate of means which are not suited to his purpose, not made for him. There have not been physicians to determine the relationships of these means for him; there have not been constructors of scales; no diapason, no metronome, no certitude of this kind. He has nothing but the coarse instrument of the dictionary and the grammar. Moreover, he must address himself not to a special and unique sense like hearing, which the musician bends to his will, and which is, besides, the organ par excellence of expectation and attention; but rather to a general and diffused expectation, and he does so through a language which is a very odd mixture of incoherent stimuli.

Conquest of Violence: The Gandhian Philosophy of Conflict by Joan V. Bondurant (1965) University of California Press, Berkeley: CA, p. 174. Harijan (1 February 1942) p. 27
1940s

Source: Silas Marner: The Weaver of Raveloe (1861), Chapter 9 (at page 73-74)