“Other qualities of bodies are connected with simple energy of motion and energy of position. Such is heat, which we find by experiment can be turned into work. Finding it convertible with energy, we call it a form of energy. ...But as to heat, it is further established by experiment that in this case the energy of motion does really persist as such. Thus a gas consists of molecules flying about with velocity, rotating and vibrating, and so having energy motion. All this energy of motion is what we call heat, and thus heat is a repetition of a known meaning of energy. Again, heat exists between a radiating body and the thing it warms; now the intermediate space is filled by the luminiferous ether, which, being elastic, has in its ultimate parts both energy of motion energy of position. In these forms the heat exists in the space in question.”

"Energy and Force" (Mar 28, 1873)

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William Kingdon Clifford 48
English mathematician and philosopher 1845–1879

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“Energy is of two kinds: 1. Energy of motion; 2. Energy of position.”

William Kingdon Clifford (1845–1879) English mathematician and philosopher

"Energy and Force" (Mar 28, 1873)

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“There is… something which is in energy only; and there is something which is both in energy and capacity. …of relatives, one is predicated as according to excess and defect: another according to the effective and passive, and, in short, the motive, and that which may be moved… Motion, however, has not a substance separate from things… But each of the categories subsists in a twofold manner in all things. Thus… one thing pertaining to it is form, and another privation. …So the species of motion and mutation are as many as those of being. But since in every genus of things, there is that which is in entelecheia, and that which is in capacity; motion is the entelecheia of that which is in capacity… That there is energy, therefore, and that a thing then happens to be moved, when this energy exists, and neither prior nor posterior to it, is manifest. … [N]either motion nor mutation can be placed in any other genus; nor have those who have advanced a different opinion concerning it spoken rightly. …for by some motion is said to be difference, inequality, and non-being; though it is not necessary that any of these should be moved… Neither is mutation into these, nor from these, rather than from their opposites. …The cause, however, why motion appears to be indefinite, is because it can neither be simply referred to the capacity, nor to the energy of beings. …[I]t is difficult to apprehend what motion is: for it is necessary to refer it either to privation, or to capacity, or to simple energy; but it does not appear that it can be any of these. The above-mentioned mode, therfore remains, viz. that it is a certain energy; but… difficult to be perceived, but which may have a subsistence.”

Book III, Ch. I, pp. 137-147.
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“The more you get into material and matter, all you realize is in matter, there is energy. There is a blur between energy and consciousness. All material is conscious to some extent or another. All material can respond to some extent or another to vibrations of energy that is different to energy you learn about in physics.”

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From the film Moog (2004)
Context: The more you get into material and matter, all you realize is in matter, there is energy. There is a blur between energy and consciousness. All material is conscious to some extent or another. All material can respond to some extent or another to vibrations of energy that is different to energy you learn about in physics. There are all sorts of reliable information now on people and animal being able to be able to effect the operations of machines—even of computers—and I think that has great implications for what goes on between a musician and his instrument. There is a level of reality where there is no time, and there is no space, there is just energy. And we have contact with that through the intermediate layers, so, if the right channels—if the right connections are established, I don’t see why a piece of matter, a piece of broken glass or and old record can’t make contact through this very high level of reality that has access to everything past and future. I suppose my instruments do retain some sort of memory of me. I know that when I’m working on them I feel (not explicitly, I don’t hear voices in my head or anything) that I’m making a connection with it. The circuit diagram, that is then converted into a circuit board, which then becomes a part of an instrument is something that is a record that I made. So I guess in that sense it is something that is certainly a memory.

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