“I can't imagine a sweeter agony, having him so close.”
Source: Again the Magic
Source: Power and Innocence (1972), Ch. 11 : The Humanity of the Rebel
Context: Civilization begins with a rebellion. Prometheus, one of the Titans, steals fire from the gods on Mount Olympus and brings it as a gift to man, marking the birth of human culture. For this rebellion Zeus sentences him to be chained to Mount Caucasus where vultures consume his liver during the day and at night it grows back only to be again eaten away the next day. This is a tale of the agony of the creative individual, whose nightly rest only resuscitates him so that he can endure his agonies the next day.
“I can't imagine a sweeter agony, having him so close.”
Source: Again the Magic
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 14.
A Prescription for Hope (1985)
Context: The hope of a benevolent civilization was shattered in the blood-soaked trenches of the First World War. The "war to end all wars" claimed sixteen million lives, and left embers which kindled an even more catastrophic conflagration.
Over the sorry course of 5,000 years of endless conflicts, some limits had been set on human savagery. Moral safeguards proscribed killing unarmed civilians and health workers, poisoning drinking waters, spreading infection among children and the disabled, and burning defenseless cities. But the Second World War introduced total war, unprincipled in method, unlimited in violence, and indiscriminate in victims. The ovens of Auschwitz and the atomic incineration of Hiroshima and Nagasaki inscribed a still darker chapter in the chronicle of human brutality. The prolonged agony which left 50 million dead did not provide an enduring basis for an armistice to barbarism. On the contrary, arsenals soon burgeoned with genocidal weapons equivalent to many thousands of World War II's.
The advent of the nuclear age posed an unprecedented question: not whether war would exact yet more lives but whether war would preclude human existence altogether.
Source: The Fall Into Time (1964), p. 120, first American edition (1970)
Open Mind Interview http://www.archive.org/details/openmind_ep497
“Only in the agony of parting do we look into the depths of love.”