
The Principles of the Most Ancient and Modern Philosophy (1690)
The Principles of the Most Ancient and Modern Philosophy (1690)
Context: I say, life and figure are distinct attributes of one substance, and as one and the same body may be transmuted into all kinds of figures; and as the perfecter figure comprehends that which is more imperfect; so one and the same body may be transmuted from one degree of life to another more perfect, which always comprehends in it the inferior. We have an example of figure in a triangular prism, which is the first figure of all right lined solid triangular prism, which is the first figure of all right lined solid bodies, where into a body is convertible; and from this into a cube, which is a perfecter figure, and comprehends in it a prism; from a cube it may be turned into a more perfect figure, which comes nearer to a globe, and from this into another, which is yet nearer; and so it ascends from one figure, more imperfect to another more perfect, ad infinitum; for here are no bounds; nor can it be said, this body cannot be changed into a perfecter figure: But the meaning is that that body consists of plane right lines; and this is always chageablee into a perfecter figure, and yet can never reach to the perfection of a globe, although it always approaches nearer unto it; the case is the same in diverse degrees of life, which have indeed a beginning, but no end; so that the creature is always capable of a farther and perfecter degree of life, ad infinitum, and yet can never attain to be equal with God; for he is still infinitely more perfect than a creature, in its highest elevation or perfection, even as a globe is the most perfect of all other figures, unto which none can approach.
The Principles of the Most Ancient and Modern Philosophy (1690)
Upon the Sovereign Sun (362)
Context: The one absolutely, the Intelligible, the ever Preexisting, comprehending all the universe together within the One — nay, more, is not the whole world One living thing — all and everywhere full of life and soul, perfect and made up out of parts likewise perfect? Now of this double unity the most perfect part (I mean of the Unity in the Intelligible World that comprehends all things in One, and of the Unity encompassing the Sensible World, that brings together all things into a single and perfect nature) is the perfection of the sovereign Sun, which is central and single, and placed in the middle of the intermediate Powers. <!-- But coming after this, there exists a certain connection in the Intelligible World with the Power that orders and arranges all things in one. Does not the essence of the Fifth Body, which is turned, as it were by a lathe, in a circle, move around the heavens, and is that which holds together all the parts, and binds them to one another, uniting what is naturally united amongst them and also those parts that mutually affect each other. These two essences, which are the causes of mutual attraction and of union (whereof the one manifests itself in the Intelligible, the other in the Sensible creation) does the Sun thus concentrate into one. Of the former he imitates this power of embracing and containing all things in the Intelligible creation, inasmuch as he proceeds from that source; whilst he governs the latter, that which is perceptible in the world of Sense. Perhaps, therefore, the self-existent principle, which existed first in the Intelligible creation, and lastly in the Visible bodies of the heavens, is owner of the intermediate, self-created essence of the sovereign Sun, from which primal creative essence there descends upon the visible world the radiance which illuminates the universe.
On Eagle's Wings, 1977, p. 118
As of a Trumpet, On Eagle's Wings
Other quotes, 2020
Original: (ja) そこに音楽があるから、フィギュアスケートっていう表現だったり、芸術だったり、技術っていうものがそこに生まれてくるのであって、音楽とフィギュアスケートっていうのがほぼイコールだと僕は思ってます。で、僕にとっては… なんて言うか、生きがいです。フィギュアスケートをやる理由です。
Source: Hanyu in an interview from 2019 about the meaning of the music, aired 28 March 2020 in フィギペディア~2019-2020シーズン特別編 (Figurepedia 2019-2020 season special edition) on TV Asahi.
The Tragic Sense of Life (1913), XI : The Practical Problem
As translated by Arthur Imerti (1964)
The Expulsion of the Triumphant Beast (1584)
Query 30 : Are not gross bodies and light convertible into one another, and may not bodies receive much of their activity from the particles of light which enter into their composition?
Opticks (1704)