
The Lark Ascending http://www.ev90481.dial.pipex.com/Meredith/lark_ascending.htm, l. 65-70 (1881).
Poems and Ballads (1866-89), The Triumph of Time
Context: p>The pulse of war and passion of wonder,
The heavens that murmur, the sounds that shine,
The stars that sing and the loves that thunder,
The music burning at heart like wine,
An armed archangel whose hands raise up
All senses mixed in the spirit's cup
Till flesh and spirit are molten in sunder —
These things are over, and no more mine. These were a part of the playing I heard
Once, ere my love and my heart were at strife;
Love that sings and hath wings as a bird,
Balm of the wound and heft of the knife.
Fairer than earth is the sea, and sleep
Than overwatching of eyes that weep,
Now time has done with his one sweet word,
The wine and leaven of lovely life.</p
The Lark Ascending http://www.ev90481.dial.pipex.com/Meredith/lark_ascending.htm, l. 65-70 (1881).
“The Vinyl Solution.” in Musician, Player, and Listener 24 (April-May 1980): 34.
Elsewhere
By Still Waters (1906)
Context: I am the tender voice calling 'Away,'
Whispering between the beatings of the heart,
And inaccessible in dewy eyes
I dwell, and all unkissed on lovely lips,
Lingering between white breasts inviolate,
And fleeting ever from the passionate touch,
I shine afar, till men may not divine
Whether it is the stars or the beloved
They follow with wrapt spirit.
Ich spreche von jener Religion, in deren ersten Dogmen eine Verdammnis alles Fleisches enthalten ist, und die dem Geiste nicht bloß eine Obermacht über das Fleisch zugesteht, sondern auch dieses abtöten will, um den Geist zu verherrlichen; ich spreche von jener Religion, durch deren unnatürliche Aufgabe ganz eigentlich die Sünde und die Hypokrisie in die Welt gekommen, indem eben durch die Verdammnis des Fleisches die unschuldigsten Sinnenfreuden eine Sünde geworden und durch die Unmöglichkeit, ganz Geist zu sein, die Hypokrisie sich ausbilden mußte.
Source: The Romantic School (1836), p. 3
Song lyric of "Burn", written by Goulding, Greg Kurstin, Brent Kutzle, Ryan Tedder, and Noel Zancanella
Halcyon Days (2013)
Valence of Prince Berthold, in Act IV.
Colombe's Birthday (1844)
Context: p>He gathers earth's whole good into his arms;
Standing, as man now, stately, strong and wise,
Marching to fortune, not surprised by her.
One great aim, like a guiding-star, above—
Which tasks strength, wisdom, stateliness, to lift
His manhood to the height that takes the prize;
A prize not near — lest overlooking earth
He rashly spring to seize it — nor remote,
So that he rest upon his path content:
But day by day, while shimmering grows shine,
And the faint circlet prophesies the orb,
He sees so much as, just evolving these,
The stateliness, the wisdom and the strength,
To due completion, will suffice this life,
And lead him at his grandest to the grave.
After this star, out of a night he springs;
A beggar's cradle for the throne of thrones
He quits; so, mounting, feels each step he mounts,
Nor, as from each to each exultingly
He passes, overleaps one grade of joy.
This, for his own good: — with the world, each gift
Of God and man, — reality, tradition,
Fancy and fact — so well environ him,
That as a mystic panoply they serve —
Of force, untenanted, to awe mankind,
And work his purpose out with half the world,
While he, their master, dexterously slipt
From such encumbrance, is meantime employed
With his own prowess on the other half.
Thus shall he prosper, every day's success
Adding, to what is he, a solid strength —
An aery might to what encircles him,
Till at the last, so life's routine lends help,
That as the Emperor only breathes and moves,
His shadow shall be watched, his step or stalk
Become a comfort or a portent, how
He trails his ermine take significance, —
Till even his power shall cease to be most power,
And men shall dread his weakness more, nor dare
Peril their earth its bravest, first and best,
Its typified invincibility.Thus shall he go on, greatening, till he ends—
The man of men, the spirit of all flesh,
The fiery centre of an earthly world!</p