
“She wanted nothing that he could offer her, except perhaps his absence.”
Source: The Hellbound Heart
Japan, the Beautiful and Myself (1969)
Context: Ryokan, who shook off the modern vulgarity of his day, who was immersed in the elegance of earlier centuries, and whose poetry and calligraphy are much admired in Japan today — he lived in the spirit of these poems, a wanderer down country paths, a grass hut for shelter, rags for clothes, farmers to talk to. The profundity of religion and literature was not, for him, in the abstruse. He rather pursued literature and belief in the benign spirit summarized in the Buddhist phrase "a smiling face and gentle words". In his last poem he offered nothing as a legacy. He but hoped that after his death nature would remain beautiful. That could be his bequest.
“She wanted nothing that he could offer her, except perhaps his absence.”
Source: The Hellbound Heart
Heimsljós (World Light) (1940), Book One: The Revelation of the Deity
La condition humaine [Man's Fate] (1933)
Geeta Iyengar, his eldest daughter.
Yogacharya B.K.S. Iyengar passes away at 95
The Last Testament : Interviews with the World Press (1986)
Context: Buddha declared before his death that he would be coming again after twenty-five centuries, and that his name would be Maitreya. Maitreya means the friend. Buddhas don't come back; no enlightened person ever comes back, so it is just a way of saying... What he was saying is of tremendous importance. It has nothing to do with his coming back; he cannot come back. What he meant was that the ancient relationship between the Master and the disciple would become irrelevant in twenty-five centuries. It was his clarity of perception — he was not predicting anything — just his clarity to see that as things are changing, as they have changed in the past and as they go on changing, it would take at least twenty-five centuries for the Master and disciple relationship to become out of date. Then the enlightened Master will be only the friend. I had always wanted not to be a Master to anybody. But people want a Master, they want to be disciples; hence, I played the role. It is time that I should say to you that now many of you are ready to accept me as the friend. Those who are in tune with me continuously, without any break, are the only real friends...
“He who would write heroic poems should make his whole life a heroic poem.”
Life of Schiller.
1820s, Critical and Miscellaneous Essays (1827–1855)
“He is dangerous, he is beautiful, I could drown in his understanding.”
Source: Speaker for the Dead
Graham Greene "Frederick Rolfe: Edwardian Inferno" (1934); cited from Collected Essays (New York: The Viking Press, 1969) p. 175
Criticism