“The poet's matter being the hitherto experience of the world, and his own, increases with every century.”

— Matthew Arnold

Letter to Arthur Hugh Clough (December 1847/early 1848)
Context: Had Shakespeare and Milton lived in the atmosphere of modern feeling, had they had the multitude of new thoughts and feelings to deal with a modern has, I think it likely the style of each would have been far less curious and exquisite. For in a man style is the saying in the best way what you have to say. The what you have to say depends on your age. In the 17th century it was a smaller harvest than now, and sooner to be reaped; and therefore to its reaper was left time to stow it more finely and curiously. Still more was this the case in the ancient world. The poet's matter being the hitherto experience of the world, and his own, increases with every century.

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Matthew Arnold166

English poet and cultural critic who worked as an inspector… 1822–1888

Vernon Scannell (1922–2007) British boxer and poet

A Proper Gentleman, 1977

“All poets who, when reading from their own works, experience a choked feeling, are major. For that matter, all poets who read from their own works are major, whether they choke or not.”

E. B. White (1899–1985) American writer

"How to Tell a Major Poet from a Minor Poet" in The New Yorker (1938); reprinted in Quo Vadimus: Or, the Case for the Bicycle (1939)

“Not every poet is a great reader of his own work.”

David Yezzi (1966) American poet

Interview with Ernest Hibert (2006)

“A poet can only write about what is true to his own experience, not about what he would like to be true to his experience.”

Stephen Spender (1909–1995) English poet and man of letters

Foreword
The Still Centre (1939)
Context: A poet can only write about what is true to his own experience, not about what he would like to be true to his experience.
Poetry does not state truth, it states the conditions within which something felt is true. Even while he is writing about the little portion of reality which is part of his experience, the poet may be conscious of a different reality outside. His problem is to relate the small truth to the sense of a wider, perhaps theoretically known, truth outside his experience.

“I suppose every child has a world of his own — and every man, too, for the matter of that. I wonder if that's the cause for all the misunderstanding there is in Life?”

Lewis Carroll book Sylvie and Bruno

Source: Sylvie and Bruno (1889), Chapter 4 : A Cunning Conspiracy

“The man who has become a thinking being feels a compulsion to give every will-to-live the same reverence for life that he gives to his own. He experiences that other life in his own.”

Albert Schweitzer (1875–1965) French-German physician, theologian, musician and philosopher

Kulturphilosophie (1923), Vol. 2 : Civilization and Ethics

“I believe that every human being has the right to his life and to his liberty, and to act in this world so as to secure his own happiness.”

Henry Wilson (1812–1875) Union Army officer, Vice president, politician, historian

"Debate with Jefferson Davis"

“The idiot who praises, with enthusiastic tone,
All centuries but this and every country but his own.”

W. S. Gilbert (1836–1911) English librettist of the Gilbert & Sullivan duo

The Mikado (1885)

“Man tries to make for himself in the fashion that suits him best a simplified and intelligible picture of the world; he then tries to some extent to substitute this cosmos of his for the world of experience, and thus to overcome it. This is what the painter, the poet, the speculative philosopher, and the natural scientist do, each in his own fashion.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Variant translation: One of the strongest motives that lead men to art and science is escape from everyday life with its painful crudity and hopeless dreariness, from the fetters of one's own ever-shifting desires. A finely tempered nature longs to escape from the personal life into the world of objective perception and thought. With this negative motive goes a positive one. Man seeks to form for himself, in whatever manner is suitable for him, a simplified and lucid image of the world, and so to overcome the world of experience by striving to replace it to some extent by this image. This is what the painter does, and the poet, the speculative philosopher, the natural scientist, each in his own way. Into this image and its formation, he places the center of gravity of his emotional life, in order to attain the peace and serenity that he cannot find within the narrow confines of swirling personal experience.
As quoted in The Professor, the Institute, and DNA (1976) by Rene Dubos; also in The Great Influenza (2004) by John M. Barry
1910s, Principles of Research (1918)
Context: Man tries to make for himself in the fashion that suits him best a simplified and intelligible picture of the world; he then tries to some extent to substitute this cosmos of his for the world of experience, and thus to overcome it. This is what the painter, the poet, the speculative philosopher, and the natural scientist do, each in his own fashion. Each makes this cosmos and its construction the pivot of his emotional life, in order to find in this way the peace and security which he cannot find in the narrow whirlpool of personal experience.

“Every poet depends upon generations who wrote in his native tongue; he inherits styles and forms elaborated by those who lived before him. At the same time, though, he feels that those old means of expression are not adequate to his own experience.”

Czeslaw Milosz (1911–2004) Polish, poet, diplomat, prosaist, writer, and translator

Nobel lecture http://nobelprize.org/nobel_prizes/literature/laureates/1980/milosz-lecture-en.html (8 December 1980)

“The poet's matter being the hitherto experience of the world, and his own, increases with every century.”

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Matthew Arnold166

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