<p>Original: Viajar? Para viajar basta existir. [...] Para quê viajar? Em Madrid, em Berlim, na Pérsia, na China, nos Pólos ambos, onde estaria eu senão em mim mesmo, e no tipo e género das minhas sensações?</p><p>A vida é o que fazemos dela. As viagens são os viajantes. O que vemos não é o que vemos, senão o que somos.</p>
Ibid., p. 360
The Book of Disquiet
Context: p>To travel? In order to travel it's enough to be. [... ] Why travel? In Madrid, in Berlin, in Persia, in China, at the Poles both, where would I be but in myself, and in the sort and kind of my sensations?Life is what we make of it. Travels are travellers. What we see is not what we see but what we are.</p
“What we see changes what we know. What we know changes what we see.”
“Life is what we make of it. Travel is the traveler. What we see isn't what we see but what we are.”
Original: (pt) Viajar? Para viajar basta existir. [...] Para quê viajar? Em Madrid, em Berlim, na Pérsia, na China, nos Pólos ambos, onde estaria eu senão em mim mesmo, e no tipo e género das minhas sensações?
A vida é o que fazemos dela. As viagens são os viajantes. O que vemos não é o que vemos, senão o que somos.
Source: The Book of Disquiet, p. 360
Context: To travel? In order to travel it's enough to be. […] Why travel? In Madrid, in Berlin, in Persia, in China, at the Poles both, where would I be but in myself, and in the sort and kind of my sensations?
Life is what we make of it. Travels are travellers. What we see is not what we see but what we are.
“…When we see a film, half of what we see is what we bring to it…”
On how audiences receive a film (such as the film 12 Years a Slave in which Woodard starred in) in “In Praise of the One-Scene Performance: An Interview with Alfre Woodard” https://www.popmatters.com/176250-in-praise-of-the-one-scene-performance-an-interview-with-alfre-wooda-2495711026.html in Pop Matters (2013 Nov 7)
“What we see, we see
and seeing is changing”
Source: Aphorisms and Reflections (1901), p. 244
“What we see depends mainly on what we look for.”
Notes Toward a Supreme Fiction (1942), It Must Give Pleasure
“The Master is not concerned with what we believe — only with what we see.”
Non-Instruction
One Minute Wisdom (1989)
